James Ellroy
![James Ellroy](/assets/img/authors/james-ellroy.jpg)
James Ellroy
Lee Earle "James" Ellroyis an American crime fiction writer and essayist. Ellroy has become known for a telegrammatic prose style in his most recent work, wherein he frequently omits connecting words and uses only short, staccato sentences, and in particular for the novels The Black Dahlia, The Big Nowhere, L.A. Confidential, White Jazz, American Tabloid, The Cold Six Thousand, and Blood's a Rover...
NationalityAmerican
ProfessionNovelist
Date of Birth4 March 1948
CountryUnited States of America
I'm grateful for the life I have. I lived bad for many years, and I've got a great life now. I've got the kind of life people only dream about.
Closure is a preposterous concept worthy of the worst aspects of American daytime TV.
I would like to provoke ambiguous responses in my readers.
Tell me anything. Tell me everything. Revoke our time apart. Love me fierce in danger.
All I want to do is make serious movies that explore social issues and turn a profit, and slip the schnitzel to Jane DePugh.
I am the most well-adjusted human being I know. I started out this investigation as a very happy man with a great career. I've got the life people dream about: I am rich, I am famous, I've got a fabulous marriage to an absolutely, spell-bindingly brilliant woman.
I always cringe when a male friend of mine, who's very fixated on women, puts "compatibility" at the top of his list of attributes that he would be looking for in a woman. I would replace compatibility with dialectic.
Classical music fulfills for me the function of narrative. I spend 90 minutes a day listening to symphonic music - Beethoven to Bartók - some chamber pieces, and that's my enrichment.
There's none with me, although you've seen me before - I'm outrageous.