James Thurber

James Thurber
James Grover Thurberwas an American cartoonist, author, journalist, playwright, and celebrated wit. Thurber was best known for his cartoons and short stories, published mainly in The New Yorker magazine and collected in his numerous books. One of the most popular humorists of his time, Thurber celebrated the comic frustrations and eccentricities of ordinary people. In collaboration with his college friend Elliott Nugent, he wrote the Broadway comedy The Male Animal, later adapted into a film, which starred Henry Fonda and...
NationalityAmerican
ProfessionCartoonist
Date of Birth8 December 1894
CityColumbus, OH
CountryUnited States of America
Until a man can quit talking loudly to himself in order to shout down the memories of blunderings and gropings, he is in no shape for the painstaking examination of distress.
No male can beat a female in the long run because they have it over us in sheer, damn longevity.
Dogs are obsessed with being happy.
The dog has got more fun out of Man than Man has got out of the dog, for the clearly demonstrable reason that Man is the more laughable of the two animals
I make mistakes, but I am on the side of Good," the Golux said, "by accident and happenchance. I had high hopes of being Evil when I was two, but in my youth I came upon a firefly burning in a spider's web. I saved the victim's life." "The firefly's ?" said the minstrel. "The spider's. The blinking arsonist had set the web on fire.
What would you do without me? Say 'nothing.'" "Nothing," said the Prince. "Good. Then you're helpless and I'll help you.
Youcanfooltoomanyofthepeopletoomuchofthetime. See Lincoln 510:35.
When man gives up on reforming and inspiring society he also gives up his freedom.
It takes that je ne sais quoi which we call sophistication for a woman to be magnificent in a drawing-room when her faculties have departed but she herself has not yet gone home.
Editing should be, especially in the case of old writers, a counselling rather than a collaborating task. The tendency of the writer-editor to collaborate is natural, but he should say to himself, 'How can I help this writer to say it better in his own style?' and avoid 'How can I show him how I would write it, if it were my piece?'
The difference between our decadence and the Russians is that while theirs is brutal, ours is apathetic.
Whether it's a crisis or not depends on how long these high prices are sustained.
Love is the strange bewilderment that overtakes one person on account of another person.
The difference between our decadence and the Russians' is that while theirs is brutal, ours is apathetic.