Jane Yolen
Jane Yolen
Jane Hyatt Yolenis an American writer of fantasy, science fiction, and children's books. She is the author or editor of more than 280 books, of which the best known is The Devil's Arithmetic, a Holocaust novella. Her other works include the Nebula Award-winning short story Sister Emily's Lightship, the novelette Lost Girls, Owl Moon, The Emperor and the Kite, the Commander Toad series and How Do Dinosaurs Say Goodnight. She gave the lecture for the 1989 Alice G. Smith Lecture,...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth11 February 1939
CityNew York City, NY
CountryUnited States of America
Jane Yolen quotes about
A child who can love the oddities of a fantasy book cannot possibly be xenophobic as an adult. What is a different color, a different culture, a different tongue for a child who has already mastered Elvish, respected Puddleglums, or fallen under the spell of dark-skinned Ged?
I believe that culture begins in the cradle . . .To do without tales and stories and books is to lose humanity's past, is to have no star map for our future.
What makes a good book? Scholars and critics have been debating that question for decades. I like books that touch my head and my heart at the same time.
Childrens books change lives. Stories pour into the hearts of children and help make them what they become.
A book is a wonderful present. Though it may grow worn, it will never grow old.
When you realize my best selling books are 'Owl Moon,' the 'How Do Dinosaur' books, and 'Devil's Arithmetic,' how can the public make sense of that! I have fans who think I only write picture books or only write SF and fantasy. I have fanatics of my poetry and are stunned to find out I write prose, too!
You write to be read. That is the bottom line.
Time may heal all wounds, but it does not erase the scars.
It is the last thing we learn, / listening to the creature world...
A mist. A great mist. It covered the entire kingdom. And everyone in it - the good people and the not so good, the young people and the not-so-young, and even Briar Rose's mother and father fell asleep. Everyone slept: lords and ladies, teacher and tummlers, dogs and doves, rabbits and rabbitzen and all kinds of citizens. So fast asleep they were, they were not able to wake up for a hundred years.
Just write. If you have to make a choice, if you say, 'Oh well, I'm going to put the writing away until my children are grown,' then you don't really want to be a writer. If you want to be a writer, you do your writing... If you don't do it, you probably don't want to be a writer, you just want to have written and be famous—which is very different.
You are a name, not a number. Never forget that name, whatever they tell you here. You will always be Chaya—life—to me.
In fantasy stories we learn to understand the differences of others, we learn compassion for those things we cannot fathom, we learn the importance of keeping our sense of wonder. The strange worlds that exist in the pages of fantastic literature teach us a tolerance of other people and places and engender an openness toward new experience. Fantasy puts the world into perspective in a way that 'realistic' literature rarely does. It is not so much an escape from the here-and-now as an expansion of each reader's horizons.