Janet Frame
Janet Frame
Nene Janet Paterson Clutha ONZ CBEwas a New Zealand author who published under the name Janet Frame. She wrote novels, short stories, poetry, juvenile fiction, and an autobiography. Frame's celebrity derived from her dramatic personal history as well as her literary career. Following years of psychiatric hospitalisation, Frame was scheduled for a lobotomy that was cancelled when, just days before the procedure, her début publication of short stories was unexpectedly awarded a national literary prize...
NationalityNew Zealander
ProfessionPoet
Date of Birth28 August 1924
I am not really a writer. I am just someone who is haunted, and I will write the hauntings down.
All writers--all beings--are exiles as a matter of course. The certainty about living is that it is a succession of expulsions of whatever carries the life force...All writers are exiles wherever they live and their work is a lifelong journey towards the lost land..
The only certainty about writing and trying to be a writer is that it has to be done, not dreamed of or planned and never written, or talked about (the ego eventually falls apart like a soaked sponge), but simply written; it's a dreadful, awful fact that writing is like any other work.
Writing a novel is not merely going on a shopping expedition across the border to an unreal land: it is hours and years spent in the factories, the streets, the cathedrals of the imagination.
Timmy, who made a daring escape, also made a mistake of paying the taxi driver with a check made out of toilet paper.
But it is imperative, for our own survival, that we avoiid one another, and what more successful means of avoidance are there than words? Language will keep us safe from human onslaught, will express for us our regret at being unable to supply groceries or love or peace.
Everything is always a story, but the loveliest ones are those that get written and are not torn up and are taken to a friend as payment for listening, for putting a wise keyhole to the ear of my mind
Divisions of the kind were fashionable at that time, and it was so easy to stifle one's need to help by deciding that help could neither be accepted nor understood.
Possibility was not a bag or box that could be closed and sealed, it was a vast open chute which received everything, everything; one could not choose or direct or destroy the powerful flow of possibility.
She grew more and more silent about what really mattered. She curled inside herself like one of those black chimney brushes, the little shellfish you see on the beach, and you touch them, and then go inside and don’t come out.
The strain of constant adaptation to so many fearful events and discoveries is already too much to bear with sanity; one has to keep pretending to slip successfully into the new mould; a time will come when the tailored and camouflaged mind breaks beneath the burden; the stick insect in our brains no longer cares to resemble a twig on the same habitual human tree in the mere hope that it may survive extinction.
Much of living is an attempt to preserve oneself by annexing and occupying others.
...When our thoughts revolve we are so often deceived into supposing that their violent movement is an indication of their vigorous originality, the upheaval of prejudice and fixed ideas, when all the time it is more likely that the machine which contains them is only an elaborate cement-mixer, and when the thinking is finished, those whirling thoughts are smoothed into the unchanged conventional mould and seeing them set solid enough to dance, to build, to travel upon, we would never dream of their first deceit, of the hope once roused by their apparently violent reorganisation...