Jared Harris
Jared Harris
Jared Francis Harrisis an English actor, best known for his roles as Lane Pryce on the AMC drama series Mad Men and David Robert Jones on the Fox science-fiction series Fringe. He has also appeared in films like Igby Goes Down, The Rachel Papers, Lost in Space, Resident Evil: Apocalypse, How to Kill Your Neighbor's Dog, Happiness, Mr. Deeds, The Curious Case of Benjamin Button, Sherlock Holmes: A Game of Shadows, and Lincoln...
NationalityBritish
ProfessionMovie Actor
Date of Birth24 August 1961
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There are many cases where the direction of the play comes from within the cast of actors, especially in terms of the choices in performance.
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It used to be that you could do these nuggets of a movie and it would attach itself in terms of credibility to your work and the style of work that you did, that people would be interested and curious about you and your work as an actor.
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I was stuck in boarding school when I was seven years old and I knew that the only way to get out was to go pass your exams, so I studied.
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When you're acting and you need to cry, you want to put yourself in a position where you're trying not to cry, because that is generally what people try and do. They try to hold on to their emotions, they don't want to lose them.
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I used to do lots of independent films and for a while I was very content living in New York City and doing independent movies and off-Broadway theater. I loved it, I had a really good time doing that, and I worked on a lot of projects that are very dear to my heart, both plays and films.
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I was beginning to think I was typecast in everyone's mind out there as a serial killer. I played a serial killer in one movie, I was the ghost of a serial killer in another and in a third, a computer-generated serial killer. The stage looks pretty good after those roles.
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You can't really do a lot of research for being a mass manipulating, murdering super-villain.
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People are fascinated by evil because it's mysterious and it doesn't seem to have a rational behind it.
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I audition for stuff all the time, and what's weird about it is that one's success rate at auditioning doesn't really change. It's sort of at the same ratio of stuff you audition for to things you land.
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Marriages had different meanings back then than they do now, they were used to cement agreements between families, business deals and things like that. The idea of marriages being arranged for love is some sort of modern idea, really.
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When you see natural disasters caught on film you realize how well they had been imagined by Hollywood for such a long time. It's all good fun. You never know who's gonna survive and who doesn't.
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Normally death scenes are good, if you have a significant death scene and it means something it's like the audience has an attachment to you being killed that's a good thing.
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When you're at drama school you spend so much time working on amazing texts and analyzing them, digging into them, and figuring out why it happens, why you are being asked to say what you're saying, and what the words mean. But then when you start working, most of the stuff would just fall apart if you subject it to that kind of scrutiny.
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I like challenges. If you're involved, as one is, in filmmaking, you want to challenge yourself. You don't want to repeat what you're done before.