Jason Blum
Jason Blum
Jason Ferus Blum is an American film producer. Blum is the founder and CEO of Blumhouse Productions. He won the 2014 Primetime Emmy Award for Outstanding Television Movie for producing The Normal Heart, and was nominated for the 2014 Academy Award for Best Picture for producing Whiplash...
NationalityAmerican
ProfessionProducer
CountryUnited States of America
fun thinking play
Currently there's no other way to get a movie into 3,000 theaters except with a studio. We have a first-look deal with Universal, and it's been fun to work with them. But studios are a part of our life. I think they'll always be, but they'll play a different role. The consumer and the creator are getting closer together.
kids opposites two
For me it's much more like a little kid rebelling. The minute I was told what to do at any age, I did the opposite. Hopefully I'll do that for the rest of my life. I come from the business side and Mark comes from the creative side, but every time a decision came up about Creep it was two emails, and we agreed. I've not had that ever with someone on the creative or the business side.
thinking trying quality
But one of the rules I don't like to break is we still do - 95% of our movies are low budget. We're offered bigger, larger budget movies to produce a lot, and we don't do them. That's not to say there aren't exceptions, there are a few exceptions, but I try and stick by the rules that produce what I think is the highest quality, most innovative work and try and let the rules go that make us feel like we're retreading.
giving people creative
The model we established was to give creative people complete creative freedom in exchange for betting on themselves, so they work for the minimums you're allowed to work for, and if the movies work in a big way, everyone does very well. If the movies don't, nobody loses too much money. The benefit to doing all the movies low budget is we can tell different types of stories and take creative risks. The Purge would have been irresponsible to do for $20M, but to do it for $3M makes sense.
helping like-you feels
I'm a believer in screening movies early, and using the movie itself to help sell the movie. If you can't do that, I feel like you shouldn't be releasing the movie.
kids thinking way
The only way I think about kids in production is practically, the younger the kids are the harder it is to shot the movie.
weekend thinking people
I think there's a limit. People want to be scared, but not every weekend, maybe every third weekend.
falling-in-love creative complicated
You can't be a creative person and not fall in love with everything. Every movie I've made there's a complicated, twisted love affair with.
good great horror interested movies people series
When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.