Jeffery Deaver
Jeffery Deaver
Jeffery Deaver is an American mystery/crime writer. He has a bachelor of journalism degree from the University of Missouri and a law degree from Fordham University and originally started working as a journalist. He later practiced law before embarking on a successful career as a best-selling novelist. He has been awarded the Steel Dagger and Short Story Dagger from the British Crime Writers' Association and the Nero Wolfe Award, and he is a three-time recipient of the Ellery Queen...
ProfessionNovelist
Date of Birth6 May 1950
CityGlen Ellyn, IL
I like the way words go together and I like the gamesmanship of writing poetry. It is such a challenge.
The outline is 95 percent of the book. Then I sit down and write, and that's the easy part.
That's the past for you. Not only does it come back at the most unexpected, and inconvenient, times but it's set in stone.
Generally my typical books have lots of twists and turns a big surprise ending and then usually another surprise at the end and ideally, as in Garden of Beasts, we get to the very end and we find at the last few pages that there's yet another surprise.
When you work alone, you need to socialize at some level.
It's becoming apparent that I like bad boys. That's one of my problems. They've all been bad boys. You're one too. You're a bad boy. But, I think you're a good bad boy.
People with children and people with their own business always pick up a ringing phone.
Sometimes you can't be what you ought to be, you can't have what you ought to have.
And life changes. Maybe just a little, maybe a lot. And at some point, it just isn't worth the fight to fix it.
We have years to converse with someone, to blurt and rant, to explain our desires and anger and regrets - and oh how we squander those moments.
She was reflecting back on a truth she had learned over the years: that people heard what they wanted to hear, saw what they wanted, believed what they wanted.
In the shaded portions where the two spheres of different lives meet, certain fundamentals- moods, loves, fears, angers- can't be hidden. That's the contract.
In suspense novels even subplots about relationships have to have conflict.
Ideally, I like to integrate the human issues into the suspense story itself.