Jeffrey Eugenides
Jeffrey Eugenides
Jeffrey Kent Eugenidesis an American novelist and short story writer. He has written numerous short stories and essays, as well as three novels: The Virgin Suicides, Middlesex, and The Marriage Plot. The Virgin Suicides has been filmed, while Middlesex received the 2003 Pulitzer Prize for Fiction in addition to being a finalist for the National Book Critics Circle Award, the International Dublin Literary Award, and France's Prix Médicis...
NationalityAmerican
ProfessionNovelist
Date of Birth8 March 1960
CityDetroit, MI
CountryUnited States of America
One of the reasons I like Barthes more than other writers of that ilk is because he had a literary quality.
I was directed because I knew I wanted to be a novelist, but I didn't have a very good job or a way of getting published. I found those years to be among the most difficult of my life.
At the same time, it's a family story and more of an epic. I needed the third-person. I tried to give a sense that Cal, in writing his story, is perhaps inventing his past as much as recalling it.
It was a recession when I graduated, but I was so unequipped to have a job anyway, I don't think it would have mattered if the economy was booming. I think I was expecting bad jobs. But as it went on through my 20s, I began to wonder how things were going to turn out.
A few years ago in Chicago, I rented an office, and I went there every day. For the most part I do work at home in an ugly room.
The Pulitzer isn't a physical object. You can't hold it in your hand. You get some money ($7,500 in my day), and you get a little Tiffany's paperweight with your name on it and the image of Joseph Pulitzer suspended in the crystal. When people see my 'Pulitzer' (I keep it in my sock drawer), they are pretty amazed at its meagerness.
I have a very beautiful room that in my house that we bought in Princeton. It's glass on three sides, and you'd think that's the perfect place to write. Somehow in that nice room I feel too exposed, and I can notice I'm too distracted by things going on, so I end up writing in a not-very-nice office bedroom.
I mean, when I got to Brown, the place was riven, because you had older professors who were basically new critics and had been teaching a certain way for 30 years. And then you had this other gang who was down with the semiotic program. And as a student, you were, in a way, forced to choose which cohort you were going with.
The book has many different characteristics: some are extremely old-fashioned storytelling traits, but there are also a fair number of postmodern traits, and the self-consciousness is one.
It wasn't conscious, but I guess that one book is the reaction to the other. The first is so imprisoned in a male point-of-view, and the second is a point-of-view that can go anywhere it wants.
It was painful, but sometimes you must have these painful moments where you tear yourself away from something that isn't working.
Biology gives you a brain. Life turns it into a mind.
I'm constantly having doubts and moments of depression and then excitement and then back into the slough of despond.
Household objects lost meaning. A bedside clock became a hunk of molded plastic, telling something called time, in a world marking it's passage for some reason.