Jill Soloway
Jill Soloway
Jill Soloway is an American comedian, playwright, feminist, Emmy-winning television writer, and award-winning director who won the Best Director award at the Sundance Film Festival for directing and writing the film Afternoon Delight. She is also known for her work on Six Feet Under and for creating, writing, executive producing, and directing the Amazon original series Transparent...
NationalityAmerican
ProfessionScreenwriter
Date of Birth26 September 1965
CityChicago, IL
CountryUnited States of America
My sister and I created a show called 'The Real Life Brady Bunch,' which was sort of a theatrical sensation that got us attention in L.A. and New York.
Getting into Sundance is a certain sort of passport to a level of anxiety I've never experienced, even having had a baby in the NICU for a week. For about ten minutes, you're a world-class director. Then you become an entry-level, harried, low level concierge with absolutely no juice.
I love the Army-Navy surplus store Surplus Value Center. They have really good long underwear and multicolored bandanas, cool camo jackets, and really, really scary-looking knives. If you're into that sort of thing.
There's always been something about Jeffrey Tambor, not only as an actor but as a person, where his ability to embody a sort of very dignified feminine way of being just - this was just very clear to me.
I think, because of the Internet, we're not looking at the very, very narrow channels for distribution that there used to be.
Whether you're writing television or movies, at some point you're going to encounter a male executive or investor who's going to say, 'I don't like that woman. She's unlikable.' And often, it's literally for being a regular human woman as opposed to an attracting human woman.
When you're making an independent film, it's like this actor plus this actor equals this funding, this financing. Pull this actor out, this actor is still here but this money's gone. It's this frightening puzzle mosaic that is the world of independent film.
I think I've always had that struggle my whole life, of feeling a little bit more gender-neutral, feeling more comfortable as a creative person when I'm dressed like a boy, when I'm dressed more masculine.
You just have to say over and over again: 'I am a director.' Nobody gives it to you. Nobody anoints you.
Some of you guys are going to boo, but I'm going to say it anyway. I don't like dogs.
My sister and I are incredibly close, and we created together from childhood through the time we spent in Chicago at the Annoyance Theatre.
My purpose as an artist is to heal the divided feminine in our culture. Well, okay wait, that sounds incredibly cheesy and like something a massage therapist might do at Esalen.
I was the kind of Jew who'd be in a bar, somebody would say it's Yom Kippur, and I'd go, 'Really?'
I think of myself as a producer. As a producer and as a showrunner, I already understand what it meant to gather people into a room and step back, to create the boundaries of 'everything's okay' to allow TV writers to go to their craziest places.