Jim Coleman
Jim Coleman
community opportunity
I'm energized by it. I've had the opportunity to see the community and its needs.
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I've always been interested in the relationship between sound, music and image, how together they can bring things to life in a magical way.
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And when that's working, the sum can be greater than the parts.
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People (contribute) best when they're contributing to something they believe in. I know many of you view United Way as a fundraiser. It's more than a fundraiser. It's also looking at solving problems.
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If the finest hour is now, then I'll always be in it.
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Then I took 8 years of French Horn, first jazz, and then classical.
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And I think that I'd be a natural for scoring horror movies.
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And I definitely have an affinity with the piano.
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Basically, I just try to keep myself from getting bored, but in doing so, at times I'm going out on a limb, not being sure how things will work.
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And I don't know where I'm heading. I mean, I've got a pretty good idea of what I want in life.
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For electronica music, David Linton has been doing this series called Unity Gain, which is pretty cool.
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I don't think I really know just how cool Satan really was when I was in Junior High School. Now, thanks to Marilyn Manson, it's no longer a secret.
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But that's something that I like about scoring film: it makes me reach out of the parameters of my self, it requires me to do things musically that I wouldn't normally do left to my own devices.
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But things can happen in a band, or any type of collaboration, that would not otherwise happen.