Joan Chen
Joan Chen
Joan Chenis a Chinese-American actress, film director, screenwriter, and film producer. In China she performed in the 1979 film Little Flower and came to international attention for her performance in the 1987 Academy Award-winning film The Last Emperor. She is also known for her roles in Twin Peaks, Red Rose, White Rose, Saving Face and The Home Song Stories, and for directing the feature film Xiu Xiu: The Sent Down Girl...
NationalityChinese
ProfessionActress
Date of Birth26 April 1961
CountryChina
I am not the best girlfriend or lawyer or the reporter. I am the drama-queen type. You know. So it is somehow in my style, in my upbringing, in the way I look: I need to be the dramatic one.
Dailies means every day you have 20 rolls, and here I was with 200 rolls of film.
The author wrote the novella based on her friend. So it was a true story, ... When I was reading the novella -- she wrote it in such a visual, well-textured way, that I saw in it a poignantly beautiful film. And that is how my generation in China came of age.
Things had just happened to me, good things and bad things, and I took them.
All my girlfriends were learning musical instruments - forced to learn musical instruments because if they knew a musical instrument, they would be in the performance troupe. Even if they were sent down. Then they wouldn't be in the fields. Then they'd probably be treated a little better. That was the hope.
The young people, they don't knock on the door politely and say "May I come in?" They barge in, they take your seat, and you're obsolete unless you recreate and somehow find grace somewhere else. Another profession may not be like that.
I miss directing. I see stories in images and music more so than in dialogue.
I remember watching Swan Lake and everybody looking exactly the same, but being able to relate because they were the only company I had ever seen even on video that had Asian dancers. The Asian community in Hawaii is actually almost as dominant as the Caucasian community. I thought "I can relate to that company because they look like people that I see every day." They weren't all little stick-thin Russian ballerinas.
I went to the International Ballet competition when I was 15 or 16 and that was the first time I competed. I didn't get very far but it was the first time that I realized what I needed to do to become a dancer. I realized how hard it was.
I went to Indiana University for college for a couple of years where I double majored in dance and journalism, and after my sophomore year there, I went to the San Francisco Ballet school for the summer, but then they offered me a scholarship to stay for the year. That's where I danced after the year they offered me a contract with the company.
It's the sacrifice I'm not willing to make right now to leave my children because I felt it wasn't only my choice.
It's a very obsessive profession that you need to stay obsessed to get anywhere, and it's very easy for us to get obsessed and then nothing else matters. I was reading Somerset Maugham's novella, Moon and Sixpense, about this artist based on Gauguin's life. It was so beautifully written. You must be first rate because second rate you might not survive. If you're an accountant, you'll survive second rate. If you chance it big, you may not get anywhere.
I enjoy going back to work now because cinema is going through an exciting period because young people are now going back to the movie theaters. But things are different though.
I'm more interested in...I'm more of a descendent. I'm more critical. It comes from a different place and nowadays the young people know how to make just light entertainment.