Joel Sternfeld
![Joel Sternfeld](/assets/img/authors/joel-sternfeld.jpg)
Joel Sternfeld
Joel Sternfeldis a fine-art color photographer noted for his large-format documentary pictures of the United States and helping establish color photography as a respected artistic medium. He has many works in the permanent collections of the MOMA in New York City and the Getty Center in Los Angeles. He has influenced a generation of color photographers, including Andreas Gursky, who borrows many of Sternfeld's techniques and approaches...
NationalityAmerican
ProfessionPhotographer
Date of Birth30 June 1944
CountryUnited States of America
No one can say how long the process of human extinction might take, but as it proceeds, the same global order will prevail that always prevails: rich nations will find ways to protect themselves and make themselves comfortable, while the poor nations and the poor people of the planet will suffer.
I grew up in Belle Harbor, which is in New York City, but it has the most powerful sense of nature and seasons. It wasn't even the beach and the water. I just dreamt about everything that had to do with nature. I read about Thoreau.
No individual photo explains anything. That's what makes photography such a wonderful and problematic medium. It is the photographer's job to get this medium to say what you need it to say. Because photography has a certain verisimilitude, it has gained a currency as truthful - but photographs have always been convincing lies.
Photography has always been capable of manipulation. Even more subtle and more invidious is the fact that any time you put a frame to the world, it's an interpretation. I could get my camera and point it at two people and not point it at the homeless third person to the right of the frame, or not include the murder that's going on to the left of the frame. You take 35 degrees out of 360 degrees and call it a photo. There's an infinite number of ways you can do this: photographs have always been authored.
Looking at a black and white photograph, you are already looking at a strange world.
Some people consider utopia to be derived from nature. For some people, utopia is the city.
The digital print is becoming the look of our time, and it makes the C-print start to look like a tintype.
Even the photographs of Henri Cartier-Bresson, with all due respect to him, are notoriously burned and dodged.
Photography has always been capable of manipulation.