John Banville
John Banville
William John Banville, who writes as John Banville and sometimes as Benjamin Black, is an Irish novelist, adapter of dramas, and screenwriter. Recognised for his precise, cold, forensic prose style, Nabokovian inventiveness, and for the dark humour of his generally arch narrators, Banville is considered to be "one of the most imaginative literary novelists writing in the English language today." He has been described as "the heir to Proust, via Nabokov."...
NationalityIrish
ProfessionNovelist
Date of Birth8 December 1945
CountryIreland
I'm a hopeless 19th-century romantic.
How flat all sounds are at the seaside, flat and yet emphatic, like the sound of gunshots heard at a distance.
No two things the same, the equals sign a scandal.
Throughout the 1960s and 1970s devoted Beckett readers greeted each successively shorter volume from the master with a mixture of awe and apprehensiveness; it was like watching a great mathematician wielding an infinitesimal calculus, his equations approaching nearer and still nearer to the null point.
Sleep is uncanny, I have always found it so, a nightly dress-rehearsal for being dead.
All I wanted was to be left alone. They abhor a vacuum, other people. You find a quiet corner where you can hunker down in peace, and the next minute there they are, crowding around you in their party hats, tooting their paper whistles in your face and insisting you get up and join in the knees-up.
Yes, this is what I thought adulthood would be, a kind of long indian summer, a state of tranquility, of calm incuriousness, with nothing left of the barely bearable raw immediacy of childhood, all the things solved that had puzzled me when I was small, all mysteries settled, all questions answered, and the moments dripping away, unnoticed almost, drip by golden drip, toward the final, almost unnoticed, quietus.
In the city of flesh I travel without maps, a worried tourist: and Ottilie was a very Venice. I stumbled lost in the blue shade of her pavements. Here was a dreamy stillness, a swaying, the splash of an oar. Then, when I least expected it, suddenly I stepped out into the great square, the sunlight, and she was a flock of birds scattering with soft cries in my arms.
What is money, after all? Almost nothing, when one has a sufficiency of it.
The secret of survival is a defective imagination.
We writers are shy, nocturnal creatures. Push us into the light and the light blinds us.
What a little vessel of sadness we are, sailing in this muffled silence through the autumn dark.
the public adulation for Saturday was worrying because here was a 9/11 book that everyone was praising to the sky, making into a bestseller, and it was not a good book for McEwan, who is a very, very good writer. But maybe I shouldn't have been so pompous.
When fans of mine meet me, I can see the disappointment in their eyes. Every artist knows of this phenomenon.