John Cheever

John Cheever
John William Cheeverwas an American novelist and short story writer. He is sometimes called "the Chekhov of the suburbs". His fiction is mostly set in the Upper East Side of Manhattan, the Westchester suburbs, old New England villages based on various South Shore towns around Quincy, Massachusetts, where he was born, and Italy, especially Rome. He is "now recognized as one of the most important short fiction writers of the 20th century." While Cheever is perhaps best remembered for his...
NationalityAmerican
ProfessionWriter
Date of Birth27 May 1912
CountryUnited States of America
For lovers, touch is metamorphosis. All the parts of their bodies seem to change, and they seem to become something different and better.
The need to write comes from the need to make sense of one's life and discover one's usefulness.
I sometimes go back to walk through the ghostly remains of Sutton Place where the rude, new buildings stand squarely in one another's river views.
There isn't a king or a merchant prince in the whole world that I envy, for I always knew I was born to be a child of destiny and that I was never meant to wring my living from detestable, low, degrading, mean and ordinary kinds of business.
All things of the sea belong to Venus; pearls and shells and alchemists' gold and kelp and the riggish smell of neap tides, the inshore green, and purple further out and the joy of distances and the roar of falling masonry, all these are hers, but she doesn't come out of the sea for all of us.
Without a reader, I cannot write. It's like a kiss: they cannot be done alone.
Now working is terribly painful and I'm still having a fight with the booze. I've enlisted the help of a doctor but it's touch and go. A day for me; a day for the hootch.
For these are not as they might seem to be, the ruins of our civilization, but are temporary encampment and outposts of the civilization that we - you and I - shall build.
The fear of death is for all of us everywhere, but for the great intelligence of the opium eater it is beautifully narrowed into the crux of drugs.
What I am going to write is the last of what I have to say. I will say that literature is the only consciousness we possess and that its role as consciousness must inform us of our ability to comprehend the hideous danger of nuclear power.
The main emotion of the adult American who has had all the advantages of wealth, education, and culture is disappointment.
Only the opium eater truly understands the pain of death.
Children drown, beautiful women are mangled in automobile accidents, cruise ships founder, and men die lingering deaths in mines and submarines, but you will find none of this in my accounts.
Love with its paraphernalia of sexuality, jealousy, nostalgia and exaltation was easier to reognize than friendship, which seemed to have (excepting athletic equipment) no paraphernalia at all.