John Cusack

John Cusack
John Paul Cusackis an American actor, producer and screenwriter. He appeared in several teen films in the mid-1980s, most notably Better Off Dead, before he starred in Cameron Crowe's romantic comedy-drama Say Anything... in 1989. He later starred in High Fidelity, for which he was nominated for a Golden Globe. Cusack is also known for his performances in the films Grosse Pointe Blank, Being John Malkovich, 1408, 2012, Hot Tub Time Machineand The Raven...
NationalityAmerican
ProfessionActor
Date of Birth28 June 1966
CountryUnited States of America
We'd been waiting decades to work together. Finally. I love John. He brought so much of himself to the character, so much improvisation, very encouraging and very free.
If you're looking at things with the right set of eyes, people are endlessly fascinating. And then, of course, if you look at it the wrong way, then the whole world is horrible and tedious and boring. That's the battle, really--to keep looking at the world in the right way.
I have a bit of a rebellious nature.
There's also some element of coming of age during the Reagan administration, which everybody has painted as some glorious time in America, but I remember as being a very, very dark time. There was apocalypse in the air; the punk rock movement made sense.
Maybe the absence of signs is a sign.
I think any actor can probably identify with being a professional liar. You don't always look at yourself that way, but I know a lot of days I do.
All my romantic stories are a scrambled version of that first one.
Do I listen to pop music because I'm miserable or am I miserable because listen to pop music?
It's supposed to feel good to throw a brick at the right people. There is a long tradition of naming and ridiculing and shaming and calling the villains what they are. Usually it was the artistocracy of the day and satire was the only way to speak truth to power.
New York's like a boxing match. In Hollywood, it's like a Fellini movie or something.
The more you expose yourself as a celebrity, the less interesting you are to watch in your work, because if you're putting yourself out there all the time, you're not holding anything back.
When you see a culture where the intellectual architects of the invasion are not shamed for their behavior but rewarded within the mainstream media culture, black comedy, satire, absurdism is the only response.
It's like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they're, like, entire movies. And they show them on cable.
The film is not a success until it makes money. It's only good when there's a dollar figure attached to the box office.