Jon Favreau
Jon Favreau
Jonathan Kolia "Jon" Favreauis an American actor, filmmaker and comedian. As an actor, he is known for roles in films such as Rudy, Swingers, Very Bad Things, The Break-Up, and Chef. He has also directed the films Elf, Iron Man, Iron Man 2, Cowboys & Aliens, and The Jungle Book, and served as an executive producer on The Avengers, Iron Man 3, and Avengers: Age of Ultron. Favreau appeared as Pete Becker, Monica Geller's boyfriend during season three of the...
NationalityAmerican
ProfessionActor
Date of Birth19 October 1966
CountryUnited States of America
There's a lot of real estate in our brain dedicated to facial recognition and to physics. That takes a lot of processing power out of our brain.
I'm a very lazy person by nature. I have to be really engaged, and then I go straight from lazy to obsessive. I couldn't study chemistry, but I could memorize all the books for Dungeons and Dragons. It was ridiculous. The trick is to find what I like to do.
The irony is that the more unapologetically sexist men are in movies, the more women tend to be attracted to them in person.
Now it seems all so familiar, but at the time it was cutting edge and we were grouped with all that independent film stuff, Vince and I and (director) Doug Liman too, and Ron, we've hit the mainstream as we're closing in on 40 years old and now we're the system.
Thankfully, I have a background as an actor, and you learn how to live in that world of not knowing what's going to happen next.
I was the worst extra, I was 'that' guy. I was the guy on the phone trying to get the Oscar for best extra - for best background performance.
Between the theme parks and the movies, the Disney iconography was probably the first set of archetypes that I was exposed to. Walt was able to expose me as a child to the full array of emotions, including fear and sorrow. Those movies and attractions haunted my dreams and made a deep impression on me as a child.
I've always been fascinated by chefs and the worlds of chefs - what they do is incredibly cinematic.
There's a nostalgic aspect to the 'Iron Man' franchise for me.
When Iron Man's flying, we'd send real planes up to do the choreography so that we'd get the camerawork to really look like a cameraman was following from another plane. It gives it that 'Top Gun' look.
When I'm working with improv people, I give them the green light to just bring it and try things.
There is no free lunch, so if you're playing with the big train set - on big movies - it's a lot of money they're entrusting you with, and you have to get that money back for them. I don't take that responsibility lightly.
You have to find something that you have to obsess over if you're making a movie about it. As a director, you have to be able to pick something that excites you enough that you can breathe it every day.