Jon Favreau
Jon Favreau
Jonathan Kolia "Jon" Favreauis an American actor, filmmaker and comedian. As an actor, he is known for roles in films such as Rudy, Swingers, Very Bad Things, The Break-Up, and Chef. He has also directed the films Elf, Iron Man, Iron Man 2, Cowboys & Aliens, and The Jungle Book, and served as an executive producer on The Avengers, Iron Man 3, and Avengers: Age of Ultron. Favreau appeared as Pete Becker, Monica Geller's boyfriend during season three of the...
NationalityAmerican
ProfessionActor
Date of Birth19 October 1966
CountryUnited States of America
Comic Con has become a very relevant venue for all films.
I can't begin to tell you how fulfilling the perennial nature of 'Elf' on television has been for me. It's great to be able to connect parents with children both emotionally and through humor.
I did a guest thing on 'My Name Is Earl,' and there is something about being involved in a TV show that's in the midst of its popularity that frees up the creative process.
David Anspaugh, who was my first director, on 'Rudy,' was all about empowering the actor, making you feel comfortable and appreciated, allowing you to keep your dignity, and treating you like a man. Being treated like a grown-up makes you proud to be involved in a film.
I was 22 and had worked on Wall Street for a year, and quit my job. I bought a motorcycle and sort of had this fantasy that I'd go cross-country like 'Easy Rider.' I went from New York to L.A., and on the way back, I stopped in Chicago and saw a friend of mine who was into improv. And I figured it might be fun to give it a shot.
I want to make sure everyone's having a good time because when I ask you to come to my movie, I'm throwing a party for you. I want you to enjoy it.
I wanted to be a New York City firefighter. I didn't make it in, though.
I've hit a point where my big luxury is getting to work on the things I want to work on. That's my hobby. It's being able to do a movie like 'Chef,' where you don't get paid, where you get paid scale, but you get to do exactly the movie you want to do. To me, that's worth more to me than whatever money I would have gotten paid.
The kids movies aren't very good, so the kids end up watching movies that are more geared toward adults. My 4-year-old wants to see 'Spider-Man.' But the problem is, if he's watching 'Batman' or 'Spider-Man,' it's not a movie that's made for him. And so, as a parent, you're constantly walking that line of 'Do I bring him to 'Fantastic Four'? Do I bring him to this?'
There's a lot of real estate in our brain dedicated to facial recognition and to physics. That takes a lot of processing power out of our brain.
There's a nostalgic aspect to the 'Iron Man' franchise for me.
At first you want to have a reputation as being talented or funny or...you know...special. As you go through it you just the biggest compliment you can get is to be...to get recognized that you're a real pro and consummate professional.
The key to writing real characters is not to treat everybody like a real person and give everybody a good side and a bad.
The irony is that the more unapologetically sexist men are in movies, the more women tend to be attracted to them in person.