Jonathan Evison

Jonathan Evison
Jonathan Evison, is an American writer best known for his novels All About Lulu, West of Here, and The Revised Fundamentals of Caregiving. His work, often distinguished by its emotional resonance and offbeat humor, has been compared by critics to a variety of authors, most notably J.D. Salinger, Charles Dickens, T.C. Boyle, and John Irving. Sherman Alexie has called Evison "the most honest white man alive." His debut novel, All About Lulu, published in 2008 by Soft Skull Press, won...
NationalityAmerican
ProfessionWriter
CountryUnited States of America
Limited points of view let the writer dispense - and the reader gather - information from various corners of the story. It all becomes a kind of dance, with the writer guiding the reader through the various twists and turns. The challenge is keeping readers in step, while still managing to surprise.
As a result of manifest destiny, we gutted our resources.
I usually write in my underwear, with a space heater running full blast, and three dogs sleeping at me feet.
Fobbit is fast, razor sharp, and seven kinds of hilarious. Thank you, Mr. Abrams, for the much needed salve--it feels good to finally laugh about Iraq. Fobbit deserves a place alongside Slaughterhouse Five and Catch-22 as one of our great comic novels about the absurdity of war.
The Mathematician's Shiva is a brilliant and compelling family saga full of warmth, pathos, history, and humor, not to mention a cast of delightfully quirky characters, and a math lesson or two; all together, a winning equation! When Rojstaczer writes about mathematics, you'd think he was writing about poetry.
My neediness is not a hole to be filled but something beneath the skin scratching to get out.
Can we really be whoever we want to be, now that we’ve collected all that we are?
I'll never stop caring. But the thing about caring is, it's inconvenient. Sometimes you've got to give when it makes no sense to at all. Sometimes you've got to give until it hurts.
Reading is, at its best, not an escape; it is genuine experience. A novel is not a monologue, but a conversation, a collaboration between writer and reader, an invaluable exchange of human conditions.
But once you publish a book, doesn’t it by definition become the realm of public discourse? Otherwise, wouldn’t we just write books and print them out ourselves, and give them to specific people we felt comfortable giving them to–like gifts? Isn’t publishing sort of a social contract?
It's not easy getting old, you know. Things become a lot less clear.
If I walk into a place, a party, say, and there's a bookshelf, I immediately gravitate toward it. Unless there's a bar. But even then, it's only a matter of a few rounds before I make my way to the bookshelf. If there are good books on it, I may never leave the spot all night. Anybody I really want to talk to is going to make his or her way to that bookshelf sooner or later, anyway, right? Books are a nexus. They start conversations, and they continue conversations, and they make people better conversationalists. I have not found this to be the case with Iron Chef, or even alcohol.
We are born haunted, he said, his voice weak, but still clear. Haunted by our fathers and mothers and daughters, and by people we don't remember. We are haunted by otherness, by the path not taken, by the life unlived. We are haunted by the changing winds and the ebbing tides of history. And even as our own flame burns brightest, we are haunted by the embers of the first dying fire. But mostly, said Lord Jim, we are haunted by ourselves.
Too many writers of fiction don't give the reader enough credit.