Jonathan Franzen
Jonathan Franzen
Jonathan Earl Franzenis an American novelist and essayist. His 2001 novel The Corrections, a sprawling, satirical family drama, drew widespread critical acclaim, earned Franzen a National Book Award, was a Pulitzer Prize for Fiction finalist, earned a James Tait Black Memorial Prize and was shortlisted for the International IMPAC Dublin Literary Award. His novel Freedomgarnered similar praise and led to an appearance on the cover of Time magazine alongside the headline "Great American Novelist"...
NationalityAmerican
ProfessionNovelist
Date of Birth17 August 1959
CountryUnited States of America
I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.
You see more sitting still than chasing after.
Today's Baudelaires are hip-hop artists.
When I finally gave up any hope of doing anything representative of the American family, I actually seemed to have tapped into other people's weirdness in that way.
You could slap his wrist for saying it, but then he said it with his face, and you could spank him for making faces, but then he said it with his eyes, and there were limits to correction-no way, in the end, to penetrate behind the blue irises and eradicate a boy's disgust.
The figure of my father looms large in my imagination.
The Mekons were kind of like the background music of my life.
The most purely autobiographical fiction requires pure invention. Nobody ever wrote a more autobiographical story than 'The Metamorphosis'.
I really enjoy doing both, but I didn't write nonfiction until 1994.
Depression, when it's clinical, is not a metaphor. It runs in families, and it's known to respond to medication and to counseling. However truly you believe there's a sickness to existence that can never be cured, if you're depressed you will sooner or later surrender and say: I just don't want to feel bad anymore. The shift from depressive realism to tragic realism, from being immobilized by darkness to being sustained by it, thus strangely seems to require believing in the possibility of a cure...
Fiction that isn't an author's personal adventure into the frightening or the unknown isn't worth writing for anything but money.
And Silence of the Lambs is a really smart book.
The reader is a friend, not an adversary, not a spectator.
Elective ignorance was a great survival skill, perhaps the greatest.