Joseph Fiennes
Joseph Fiennes
Joseph Alberic Twisleton-Wykeham-Fiennesis an English film and stage actor known for his portrayals of William Shakespeare in Shakespeare in Love, for which he was nominated for the BAFTA Award for Best Actor in a Leading Role and the Screen Actors Guild Award for Outstanding Performance by a Male Actor in a Leading Role, Sir Robert Dudley in Elizabeth, Commisar Danilov in Enemy at the Gates, and Monsignor Timothy Howard in the second season of the TV series American Horror Story...
NationalityBritish
ProfessionActor
Date of Birth27 May 1970
dark political facts
Merlin is really at the forefront, in that regard. We get a glimpse into the dark, Machiavellian corridors of power. I like the fact that, although he has powers, his powers are almost in his political guile as much as what he relies on, in darker forces.
character icons age
I like the fact that we're stripping the icons away. They're the WikiLeaks for the age that we're revealing, with the transparency of the characters. We're unearthing the truth beyond or underneath the myth. I love that aspect.
kings fun character
I also wanted to have fun with it. I wanted to have the scope, which I felt Merlin has, in his Machiavellian bi-polar way. He's not to be trusted, yet he is fighting for this great power and is really a master, to some degree, in orchestrating Camelot and King Arthur. He's a strange, dark devious character, and I just wanted to have fun, and get away from the cloak and long beard and pointy hat.
kings views youth
Youth is a predominant factor. We are seeing a young King Arthur, and thereby a young-ish - as I'm into my 40s - Merlin. It was about how to tackle it, from that point view.
pertinent-questions brain tvs
I read as much as I could, but really just spoke to Chris Chibnall and asked all the pertinent questions. That made me feel like we weren't going to do an off-the-peg Camelot, which has been touched upon in many films and TV series before. I really just picked his brain and, in doing so, I got fired up by tackling Merlin in a fresher angle.
fun lovely world
He [Merlin] is slightly from another world and place, so it's about having fun and presenting it in a new way. He's more of a politician, and slightly Machiavellian, but there's also a lovely relationship going on between Merlin and Arthur. There's so much to be had, really.
biblical editing creative
'How do you balance the creative with the biblical?' One could pick up the scripture and read it to oneself and you would be communing directly with that information. As soon as you go into film, as soon as there's a camera, and there's an angle, and there's lighting, and there's editing, you're into the adaptation.
spiritual thinking pope
I'm a huge admirer of Pope Francis and everything he stands for. I think he's an incredibly connected spiritual and authentic being.
mistake dirty shoes
Conditioning can be not a big heavy thing. (For instance:) I've got a brand new pair of shoes, by mistake you step on it and you make them muddy and dirty, I'm conditioned to go "Hey, what are you doing?" That's my conditioning, I have a response. So, maybe we have to learn to find the pause before we react, because reaction is our conditioning.
fun character angel
he challenge is finding the modern conduit for the audience, having fun and really looking at the duality of this particular character, that is both devil and angel, and on the cusp of losing control of the pagan background, to this newfangled religion called Christianity. There's a great backdrop there, and just a whole dark side with the magic.
creative directors few great remarkable simply streak today
There are a few remarkable directors who have a great creative streak and then simply go on streaking ... Today we have another remarkable director in our midst.
greater love requires theatre ways
Yes, in a way. Film is a by-product of my love of theatre. Theatre is for me the greater challenge. In many ways it requires more skill.
art beaten character childhood great guess hindsight interact learn trying weird year
Yeah, I guess that's fair, ... And in a weird way my childhood was a great precursor to where I am now. Every year I had to learn how to interact in a new schoolyard, reinventing myself if one character didn't work. In hindsight I can see that it was great actor's training. But it was just the art of survival, really. Trying not to get beaten up in the playground.
head love offered tights voice
When I was offered the part in ShakespeareIn Love a voice in my head said 'not another tights role!