Joshua Bell
Joshua Bell
Joshua David Bellis an American violinist and conductor...
NationalityAmerican
ProfessionViolinist
Date of Birth9 December 1967
CityBloomington, IN
CountryUnited States of America
beethoven consummate directly experience musician playing speaks
Playing the Beethoven symphonies, for example, is a consummate experience for a musician because Beethoven speaks so directly to who we are as people.
age brought concert grew music musical played playing violin
I grew up in a musical environment. My parents played music and had it playing on the radio. They brought me to a concert at the age of 5, the same age I started violin lessons.
gotten playing symphonies travel
The symphonies are the things that, as a soloist, I've not gotten to play. I used to travel the world playing concertos, and then I would sit and listen to the symphony.
huge music people playing
After every concert, I greet young people in the lobbies. And I see a huge surge of young people playing music.
far house playing somehow stakes whether
As far as I'm concerned, the stakes are always very high. Whether it's playing at the White House or playing for a group in my own house - you know, one of those soirees I play in. Once I start playing, the stakes are somehow higher, in a way, than any of the context.
alternate playing
I kind of alternate between conducting and playing and kind of juggling those things, but I don't use a baton.
approach bow chamber conduct music playing seated section
In concertos, I stand up, and I conduct with the bow when I'm not playing. During symphonies, I sit, but sometimes I stop playing to conduct. Being seated in a section allows me to feel more like we're playing chamber music, which is how I like to approach it.
along basically conductor except juggle playing roles
I do basically what a conductor does with a baton, except I also play along with the orchestra. So I have to juggle the roles of playing the concertmaster; sometimes I drop the violin and wave my arms.
certain classical fuller gone guess halls hardcore number people playing
As my career has gone on, I guess I've become more well known. I'm playing to fuller halls in general, which is a nice feeling. When you're doing that, you're going to have a certain number of people who are not just the hardcore classical fanatics, and this makes me very happy.
concept conductor conductors great inhibit orchestra players playing secret unify
The great secret is that an orchestra can actually play without a conductor at all. Of course, a great conductor will have a concept and will help them play together and unify them. But there are conductors that actually inhibit the players from playing with each other properly.
artists bouncing good playing position pushing ten trying
I'm in a position where, theoretically, I could play the same ten concertos and make a very good living bouncing around playing Mendelssohn, Tchaikovsky and Barber, but I really think artists should keep pushing limits and trying new things.
challenged time
I think, as an artist, it's very important to continue to be challenged and feel challenged all the time.
stretch
I think it's really important to always kind of stretch your boundaries and your limits and get out of your comfort zone. And for me, that's very important.
family work
Over the years, I've seen how being a soloist and having a family can really work.