Joshua Bell
Joshua Bell
Joshua David Bellis an American violinist and conductor...
NationalityAmerican
ProfessionViolinist
Date of Birth9 December 1967
CityBloomington, IN
CountryUnited States of America
alternate playing
I kind of alternate between conducting and playing and kind of juggling those things, but I don't use a baton.
gotten playing symphonies travel
The symphonies are the things that, as a soloist, I've not gotten to play. I used to travel the world playing concertos, and then I would sit and listen to the symphony.
beethoven consummate directly experience musician playing speaks
Playing the Beethoven symphonies, for example, is a consummate experience for a musician because Beethoven speaks so directly to who we are as people.
huge music people playing
After every concert, I greet young people in the lobbies. And I see a huge surge of young people playing music.
concept conductor conductors great inhibit orchestra players playing secret unify
The great secret is that an orchestra can actually play without a conductor at all. Of course, a great conductor will have a concept and will help them play together and unify them. But there are conductors that actually inhibit the players from playing with each other properly.
certain classical fuller gone guess halls hardcore number people playing
As my career has gone on, I guess I've become more well known. I'm playing to fuller halls in general, which is a nice feeling. When you're doing that, you're going to have a certain number of people who are not just the hardcore classical fanatics, and this makes me very happy.
along basically conductor except juggle playing roles
I do basically what a conductor does with a baton, except I also play along with the orchestra. So I have to juggle the roles of playing the concertmaster; sometimes I drop the violin and wave my arms.
artists bouncing good playing position pushing ten trying
I'm in a position where, theoretically, I could play the same ten concertos and make a very good living bouncing around playing Mendelssohn, Tchaikovsky and Barber, but I really think artists should keep pushing limits and trying new things.
far house playing somehow stakes whether
As far as I'm concerned, the stakes are always very high. Whether it's playing at the White House or playing for a group in my own house - you know, one of those soirees I play in. Once I start playing, the stakes are somehow higher, in a way, than any of the context.
classical crossover far music
As far as doing TV, I do think there's a big audience out there that could enjoy classical music, but they don't know how to find it, and sometimes by doing different things... crossover things probably make up about 5% of what I do.
conductors craft good great known lay push
Good conductors know when to push and when to lay back. I've known so many great conductors that I'm still doing what I can to learn the craft of this role.
conductors god orchestra rolling seen stop stopped technique time
So many times, I've seen conductors that, every time they have a thought, they stop the orchestra and say it, and I can see the orchestra rolling their eyes and saying, 'Oh, God, he stopped again.' So there's a technique to rehearsing.
addicted
I'm addicted to the adrenaline of performing, and I think when you're used to having that high, you look for it in other things.
directing exciting
It's been very exciting for me to start directing and conducting, exploring the symphonic repertoire, which I've always loved.