Judd Apatow
Judd Apatow
Judd Apatowis an American producer, writer, director, actor, and comedian. He is the founder of Apatow Productions, through which he produced and developed the cult television series Freaks and Geeks and directed and produced The 40-Year-Old Virgin, Knocked Up, Funny People, This Is 40, and Trainwreck...
NationalityAmerican
ProfessionFilm Producer
Date of Birth6 December 1967
CitySyosset, NY
CountryUnited States of America
moving direct
I very rarely made any move to direct anything. I didn't have any faith in myself.
world
I get literally a physical sensation of low self-esteem that is a result of not engaging the world and getting comfortable that way.
guy political imagine
I worshipped guys like Bill Maher, Jay Leno, and Jerry Seinfeld, and was doing my variation of that. But as a young person with no political point of view or life experience, it was as funny as you can imagine.
guy rejected direct
When Jim Carrey signed on to star in [The Cable Guy], and then they asked me to produce it, I made a very brief plea to direct - which was rejected really as quickly as anything can be.
brother dark
You can do weird things on TV - there are happy stories, sad stories, dark stories. But with a movie, it always has to end satisfying. Unless you're the Coen brothers, and it ends with somebody getting shot in the head.
long people creative
I was very combative as a creative person at that time [while The Ben Stiller Show]. I didn't understand how to play politics with the studios. I didn't know how to creatively collaborate with the people who were paying the bills, and that came up all the time on every project I was doing, and it took me a really long time to figure out how to collaborate in a healthy way.
age
I feel like it's a golden age for television.
dream writing
[My] dream writers room: "'Taxi.' I need to write for someone named Judd."
chance comedy nice premise shows strong studios
I've ... always thought he could be a big comedy star. The nice thing about 'Virgin' is that it shows the studios that if the premise is a strong one, you can take a chance on a new actor in the lead.
fun thinking house
It was always the most fun thing in the world to think of a joke area and talk about it with someone like Jim Carrey, and then he would get on stage fearlessly and tear the house down. That's something I always enjoyed. It also allowed me to not be terrified.
writing risk performing
I loved the idea that I could write a joke and someone else would have to take the risk of performing it.
writing laughing people
I wrote on the Grammys, and a few times for Garry Shandling when he was hosting. I couldn't have enjoyed those gigs more, because I would get to collaborate and try to make people I looked up to laugh, but for the most part, when you're as talented as they are, what they really want is someone who can type fast and whose presence makes them feel in the mood to write and spew and be creative, and I was a good person to have in the room.
writing thinking trying
I think, there were probably problems with show business where producers and directors would try to get the writing credit also. So they created a rule where the bar, to get your name added to the writing credits, if you've done a revision, is very high if you're also the producer or director.
fun night world
I hosted the Producer's Guild Awards, and it went well, and I was very happy in the moment, and it was a fun night. But I wake up the next day like someone who did crack the night before and told off the world, and I'm ashamed of the whole idea that anyone should listen to me, or the idea that I need that much approval.