Judith Miller
![Judith Miller](/assets/img/authors/judith-miller.jpg)
Judith Miller
Judith Milleris an American journalist and writer. She worked in The New York Times Washington bureau, where she became embroiled in controversy after her coverage of Iraq's Weapons of Mass Destructionprogram both before and after the 2003 invasion was discovered to have been based on the inaccurate information in the intelligence investigations, particularly those stories that were based on sourcing from the now-disgraced Ahmed Chalabi. The New York Times later determined that a number of stories she had written for...
NationalityAmerican
ProfessionJournalist
Date of Birth2 January 1948
CountryUnited States of America
I used to say, 'Are you kidding?' about some prices for collectibles. I don't anymore because anything that screams its era is collectible.
Because I had become part of the story. I had actually become part of the news, and that's something no New York Times reporter wants to do.
He was pressing about what you would say. When I wouldn't give him an assurance that you would exonerate Libby, if you were to cooperate, he then immediately gave me this, 'Don't go there,' or, 'We don't want you there.'
You can't be as much in the news as I am and go on with reporting as usual.
I told Mr. Fitzgerald that Mr. Libby might have thought I still had security clearance, given my special embedded status in Iraq.
I think when you get interested in antiques, the most frustrating thing is that books don't have enough photos. When you go to a flea market or garage sale, you see lots of things you've never seen before and you have no idea what the price is going to be or should be.
According to my interview notes, though, it appears that Mr. Libby said little more than that the assessments of the classified estimate were even stronger than those in the unclassified version.
Reporters, even flawed reporters, should not be jailed for protecting even flawed sources.
You become an expert by working hard. We've got fantastic museums, collections and antique shows. You can go and just start looking. That's the great thing about knowledge. If you collect Doulton figures, you know about the rare ones.
When I did my first price guide in 1979, publications weren't interested in mentioning it. Now I get phone calls weekly if not daily from publications and television shows who want to know what's hot, how to get started in antiques, and the best way to buy antiques.