Juicy J
![Juicy J](/assets/img/authors/juicy-j.jpg)
Juicy J
Jordan Michael Houston, better known by his stage name Juicy J, is an American rapper, songwriter and record producer from Memphis, Tennessee. He is a founding member of the Southern hip hop group Three 6 Mafia, established in 1991. In 2002, he released his solo debut album Chronicles of the Juice Man, in between Three 6 Mafia projects. In 2011, Juicy J announced that he was a part-owner and A&R rep for Wiz Khalifa's Taylor Gang Records and the following...
NationalityAmerican
ProfessionRapper
Date of Birth5 April 1975
CityMemphis, TN
CountryUnited States of America
I rap about Memphis and what a dangerous spot that is.
I listen to all kinds of music. I love underground, new music that's popping.
I'm starting the Juicy J Scholarship Foundation. I'm going to start doing a lot of different things trying to help out and give back.
I want to meet Denzel Washington when I go to the Oscars. Every man wants to see Halle Berry in person. And, you know, Dolly Parton... I wouldn't mind seeing Dolly Parton. She's from Tennessee, I'm from Tennessee.
If you're broke, you don't want to rap about being broke; you gonna rap about hustling and getting that bread.
I've got a lot of songs about having fun and partying, but it's a lot of work.
I kick it when I kick it, but I definitely take care of business. I make sure everything is tight, my finances are tight, my family is tight, my friends are perfect.
We all can't shine at the same time.
Three 6 Mafia have been around for a long time; we've made a lot of music. Anybody's music can influence anybody. I've heard people say that our music has influenced such and such, and it could be true, and it could not.
Three-6 Mafia, we were always doing different kinds of things, and we like rock music, we like whatever - not saying they was rock, but they had a little rock-n-roll with some of their music, a little rock with it.
I keep my ear to the streets - that's how I know music. I live, breathe, eat, and sleep music. That's it. Nothing else.
I'm not old school, like, "Aw, man, I gotta do my music like I did in '98." I just go with the flow. I don't try to change anything.
Nothing is going to stay the same; nothing's gonna sound like in 1952. There's some stuff that has some elements of back in the day, like back in the 90's, back in the 80's or whatever. Some elements, but it's not going to be the same, exactly, sounding. And I love it, I've seen the music change. I've seen the flow and the energy go from turned up to turned down to back to turned up. I like to try different stuff. I don't like to do the same old thing over and over again. I don't like to be repetitive, that gets on my nerves.
There's a lot of money in doing score music. You can get a chance to get nominated for an Oscar.