Julia Glass
Julia Glass
Julia Glassis an American novelist. Her debut novel, Three Junes, won the National Book Award for Fiction in 2002...
NationalityAmerican
ProfessionNovelist
Date of Birth23 March 1956
CountryUnited States of America
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To me, stretching the capabilities of my imagination is a crucial aspect of writing fiction; you could think of it as a mental form of athleticism.
work
The old adage is, 'Write what you know.' But if you only do that, your work becomes claustrophobic. I say, 'Write what you want to know.'
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As a writer of fiction, I spend my days inventing real lives for make-believe people; what I create can only seem real.
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Winter sports aren't my thing. You can have your boards and blades and your glacier-gripping cleats: My feet prefer to negotiate the ground on a pair of dependable soles.
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I love to eat, I love to feed people, and I'm a great cook. I joked with my friends that I wanted to write a book where desserts had to be extensively researched, since I have a terrible sweet tooth. My particular downfall is cake.
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At its best, fiction cultivates fantasy and compassion; at its worst, memoir provokes schadenfreude and prurience. The ugly truth, I fear, is that many people are drawn to sensational memoirs for the same reason they watch 'The Apprentice': they like to witness actual suffering, before-your-very-eyes humiliation.
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I have struggled for decades now with the fear of and resistance to change - mostly in the realms of technology, transportation, and the ways people choose to communicate. If I had a theme song, it would be that lovely song 'I'm Old-Fashioned,' as sung by Ella Fitzgerald.
best
The best booksellers are like trustworthy pushers: Whatever they're dealing, you take it.
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Though I didn't quite plan it that way, I had my two sons at just about the same ages my mother saw me and my sister off to college, and my first novel was published when I was 46. This 'tardiness' isn't something I'm proud of, but I'm happy to be an inspiration to others who arrive at these milestones later than most of us do.
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In my fairly disorganized life, yellow stickies are too easily lost, and as for software, I try to avoid using my computer as much more than a typewriter and a post office. I rely on my lifelong habit of daydreaming to spin my stories.
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Chemotherapy can be a long, tough haul - for me, it went on for six months - and the best doctors and nurses become, if only for that period of time, as essential in your life as friends or spouses.
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Colorful garments - ball gowns, kimonos, evening pajamas - made from yards upon yards of iridescent silk or velvet. I own an unjustifiable number of such outfits and jump at the chance to wear them. Against the etiquette about which I am otherwise all too conscious, I frequently, and unrepentantly, overdress for the occasion.
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A fine memoir is to a fine novel as a well-wrought blanket is to a fancifully embroidered patchwork quilt. The memoir, a logical creation, dissects and dignifies reality. Fiction, wholly extravagant, magnifies it and gives it moral shape. Fiction has no practical purpose. Fiction, after all, is art.
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All the best novels are about one thing: how we go on. The characters must survive the fallout of their own cowardice, folly, denial or misguided passion. They squander what matters most, and still they pick up the pieces.