Julian Barnes
Julian Barnes
Julian Patrick Barnesis an English writer. Barnes won the Man Booker Prize for his book The Sense of an Ending, and three of his earlier books had been shortlisted for the Booker Prize: Flaubert's Parrot, England, England, and Arthur & George. He has also written crime fiction under the pseudonym Dan Kavanagh. In addition to novels, Barnes has published collections of essays and short stories...
NationalityEnglish
ProfessionNovelist
Date of Birth19 January 1946
adventure against ambiguous assume brought case confuse final invent people popular quite relationship solve sort successful turn writer
I think he had a quite sort of ambiguous relationship to Holmes. It made him rich, it made him famous, but as often the case with these things, a writer can turn against his or her most successful creation; hence, he killed him off (in 'The Adventure of the Final Problem') and brought him back by popular request. And, of course, people did sort of confuse them and assume if he could invent these complicated mysteries, then he could also solve them.
bits convinced gratifying people truer
But I think you could make it truer by making it up. In a way when people say it could have been non-fiction, that is gratifying because I've convinced them and they can't tell the bits I've made up from the bits I didn't make up.
sibling believe helping-others
I certainly believe we all suffer damage, one way or another. How could we not,except in a world of perfect parents, siblings, neighbours, companions? And then there is the question on which so much depends, of how we react to the damage: whether we admit it or repress it,and how this affects our dealings with others.Some admit the damage, and try to mitigate it;some spend their lives trying to help others who are damaged; and there are those whose main concern is to avoid further damage to themselves, at whatever cost. And those are the ones who are ruthless, and the ones to be careful of.
clever lying differences
I'm interested in such things as the difference between how we perceive the world and what the world turns out to be. The difference is between the stories we tell others and the stories we tell ourselves. There is a wonderful Russian saying, which I use as the epigraph of one of my novels, which goes, He lies like an eyewitness. Which is very sly, clever and true.
years laughing boredom
I remember laughing with relief that the same old adolescent boredom goes on from generation to generation. ...the words took me back to my own years of stagnancy, and that terrible waiting for life to begin. [p. 68]
memories imperfection documentation
History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.
writing thinking ideas
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
simple purpose clarity
Mystification is simple; clarity is the hardest thing of all.
attitude character tragedy
Does character develop over time? In novels, of course it does: otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change, we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that character peaks a little later: between twenty and thirty, say. And after that, we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also - if this isn't too grand a word - our tragedy.
self curiosity want
What makes us want to know the worst? Is it that we tire of preferring to know the best? Does curiosity always hurdle self-interest? Or is it, more simply, that wanting to know the worst is love's favorite perversion.
understanding study academic
The more you learn, the less you fear. "Learn" not in the sense of academic study, but in the practical understanding of life.
love-is thinking may
Love may not lead where we think or hope, but regardless of outcome it should be a call to seriousness and truth. If it is not that - if it is not moral in its effect - then love is no more than an exaggerated form of pleasure.
companionship wonderful form
The companionship of dead writers is a wonderful form of live friendship.
grief sunshine tunnels
(on grief) And you do come out of it, that’s true. After a year, after five. But you don’t come out of it like a train coming out of a tunnel, bursting through the downs into sunshine and that swift, rattling descent to the Channel; you come out of it as a gull comes out of an oil-slick. You are tarred and feathered for life.