Kate DiCamillo
Kate DiCamillo
Katrina Elizabeth "Kate" DiCamillo is an American writer of children's fiction for all reading levels, usually featuring animals. She is one of six people to win two Newbery Medals, recognizing her novels The Tale of Despereauxand Flora and Ulysses. Her best-known books for young children are Mercy Watson series illustrated by Chris Van Dusen...
ProfessionChildren's Author
Date of Birth25 March 1964
CityPhiladelphia, PA
writing attention pay-attention
Writing is seeing. It is paying attention.
writing play pieces
I always write with music. It takes me a while to figure out the right piece of music for what I'm working on. Once I figure it out, that's the only thing I'll play.
children book writing
For children: I'm writing a picture book about the Big Dipper and a novel about a cricket, a firefly and a vole. For grownups: I'm writing poems.
writing drawing childhood
Everything I write comes from my childhood in one way or another. I am forever drawing on the sense of mystery and wonder and possibility that pervaded that time of my life.
writing interest wanted
Understand, I had absolutely no interest in writing; I wanted to be a Writer.
children writing philadelphia
I was born in Philadelphia and currently live in Minneapolis. I write for both children and adults.
book writing goal
May God strike me down with a hammer on the head before I write a book with a teach-y goal!
book writing two-friends
I remember wanting to write a book with someone, the someone being Kate [DiCamillo], and we decided to write about two friends. We had no idea how to begin this project - neither of us had ever collaborated with another writer - and I'm pretty sure that we began by giving our two friends a sock, just to see what they'd do with it. And it went from there.
coffee writing thinking
I work full-time in a used bookstore. I get up. I drink a cup of coffee. I think, The last thing I want to do is write. Then I go to the computer and write.
writing play scary
I've never worked with a co-author before [Alison McGhee]. Writing for me is a pretty scary thing, so it was a huge comfort to have someone in the room working with me. It became less like work and more like play.
writing rewriting screenplays
I didn't know anything about writing a screenplay, but somehow I ended up rewriting a screenplay.
girl writing thinking
I was over at Alison's [McGhee], I think we were playing Scrabble. I remember we were both complaining - yeah, we sound like whiners - about how hard writing is, and how we didn't have a story to work on. Alison said, 'Why don't we work on writing something together,' and I said, 'Eh, I don't know if I could work that way.' She said, 'Well, just show up here and we'll see,' and I said, 'Well, what would it be about?' She said, 'Duh, it'd be about a tall girl and a short girl.' So I agreed to come and try it for a day.
lonely writing office
We were 15 minutes into it and nothing was happening; I thought, well, that's not going to work. Then all of a sudden everything clicked. I don't know how long it took us, but I would just show up at Alison's [McGhee] office. She would type and we'd just kick it back and forth. Writing is so scary for me, such a lonely endeavor, and it became a wonderful thing to show up and have somebody else go through it with me. It was actually a wonderful experience.
book writing
We [me and Alison McGhee] probably wouldn't have said that when we were writing the stories, but it is so apparent to me in the finished product. For me, looking at Bink, it's like looking at myself on the page in a way that I've never experienced with any other book that I've written.