Kenneth Branagh
Kenneth Branagh
Sir Kenneth Charles Branagh is a Northern Irish actor, director, producer, and screenwriter. Branagh trained at the Royal Academy of Dramatic Art in London. He has directed or starred in several film adaptations of William Shakespeare's plays, including Henry V, Much Ado About Nothing, Othello, Hamlet, Love's Labour's Lost, and As You Like It...
NationalityIrish
ProfessionDirector
Date of Birth10 December 1960
CityBelfast, Northern Ireland
CountryIreland
Kenneth Branagh quotes about
I think that Shakespeare himself raided fairy tales and chronicle writers, and he always looked to people who worked in the mythic genres, whether it was folk tales or popular novels.
I think I do have a way of predicting - not always accurately - what is a nerve-wracking day for actors, what may be a difficult scene or a difficult moment, how small - and it may be down to one line - a thing maybe that is upsetting or undermining a performance.
I suppose, at 50, you value things in a different way. So you value connections, you value your friendships, you value your health, and you are much more aware of time passing.
I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.
I have a pathetic urge at some stage in my life to be able to pull out my wallet and pull out a little card on which it would say, 'Kenneth Branagh, artistic director.'
I had a friend who introduced me to a meditation practice which involves a couple of half-hours a day of meditation, where essentially you try to achieve a stillness that allows you to just be there in the moment.
I don't know that the Brits have the monopoly on being organized, but they do have a way of working with which I'm familiar. It's not necessarily the best way, but it's a way.
I choose to be inspired by things that have been done well in the past. So, I don't worry about being compared, because I think that does paralyze you.
Carrying a movie is both a great privilege, it's a great opportunity, but it can be a great pressure, and sometimes that can make people behave very oddly.
I like to cast actors I admire, one's that are talented. Each one will bring something new to the part. This play has been done thousands of times and now certain characters are too familiar.
I do think that, for instance, we've been very lucky to have theatrical careers and be associated with Shakespeare which sometimes gives you a kind of bogus kudos.
I think A Midsummer Night's Dream would be terrific because of the transformations that occur. Or The Tempest, things like that. Extraordinary larger than life or supernatural element.
When you cast someone like Natalie Portman, the character can't just be the love interest.
What you want is the opportunity to work and an audience. Prizes after that are just a great big bonus.