Kenneth Branagh
![Kenneth Branagh](/assets/img/authors/kenneth-branagh.jpg)
Kenneth Branagh
Sir Kenneth Charles Branagh is a Northern Irish actor, director, producer, and screenwriter. Branagh trained at the Royal Academy of Dramatic Art in London. He has directed or starred in several film adaptations of William Shakespeare's plays, including Henry V, Much Ado About Nothing, Othello, Hamlet, Love's Labour's Lost, and As You Like It...
NationalityIrish
ProfessionDirector
Date of Birth10 December 1960
CityBelfast, Northern Ireland
CountryIreland
What I've found about 'Cinderella' is that what it provokes in an audience is really extraordinary. It appears to be a deceptively simple tale, but I've heard nothing but people drawing all different things out of it.
The records - what little we know about Shakespeare, including the records of the plays in his playhouse - were often the story of how quickly they came off if they didn't work. They had to move on. They were absolutely led by box office.
Sir Derek Jacobi has been an inspiration to so many actors and audiences throughout his brilliant career. To see him in Shakespeare is an event in itself.
Shakespeare is rhythmic; he is musical in the sense that he likes poetry, and he's musical because he constantly refers to settings where there's singing and dancing.
Probably 90 percent of the stuff I make has inevitably been done before... Whether it's playing Hamlet, which has been on the go for 400 years, or pieces from the cinematic world that also have been essayed before, I feel released by that.
My dad, for the first 15 years of my career, on every visit he made to a play or a film set, would find the oldest person on set and say, 'Do you think my son has a future?'
It's funny to be in rooms where you were originally referred to as 'The Shakespeare Guy' and to suddenly be in the position where you're 'The Blockbuster Guy.' That's a pretty unusual turnabout, I must say.
In the case of 'Jack Ryan,' it was a huge collaboration, and I enjoyed it very much, and most of all, I want the audience to enjoy it, too. I want them to feel immersed in this world.
In any given project, there are a few moments where there is the usual disappointment, as it were, when you look in the mirror, and you realize you're not 23 and looking like Brad Pitt.
I'm very conscious of the fact the directing career has taken some odd turns. Maybe there's enough bulk where I'm now pigeonholed in the 'eclectic box.'
I'll tell you what I'm grateful for, and that's the clarity of understanding that the most important things in life are health, family and friends, and the time to spend on them.
I was studying at the Royal Academy of Arts, and I was playing the role of Dr. Ivan Chebutikin in Chekov's 'Three Sisters.' I was about 50 years too young for the part.
I was stuck in a wheelchair playing this deranged villain. I felt this mass amount of rage at being so confined. I thought, 'What can I do that is the direct opposite of this situation?' The only thing I could think of was that I could sing and dance.
I think what you're always looking for as artists is to be honest and to continue to be honestly driven by that which you are passionately engaged with. It should need not be forced.