Lars von Trier
Lars von Trier
Lars von Trier is a Danish film director and screenwriter, best known for his films Dancer in the Dark, Breaking the Waves, Melancholia and Europa. He is considered one of the great film auteurs and widely regarded as one of the most accomplished living directors in world cinema. In a prolific and controversial career spanning almost four decades, his work became distinct for its genre and technical innovation, the intensely confrontational - sometimes "humorous" - examination of existential, social and...
NationalityDanish
ProfessionDirector
Date of Birth30 April 1956
CountryDenmark
When I was younger, I was fascinated by David Bowie, for example. he had created an entire myth around himself. It was as important as his music.
I hope my films will never completely be without the ability to mark anybody.
I know that I cannot be with a person for three hours without saying at least ten things that would kill me.
I am crazy about time cuts. I have a theory that the audience tie everything together so they don't see time cuts but the time cuts give us the possibility of jumping in time, which means a psychological evolution can be cut down.
I am very romantic about communism even still, but I know terrible things happened.
I'm not a woman! Let's make that very clear! Oh I don't know, maybe I am. I am an American woman. Or 65 percent of me is.
I would say that I am a poor Christian; I'm not a believer. It was this idea very early in my life that life on Earth, nature or man could not be a creation of a merciful God.
That's the great thing about entering a convent: There are things that you simply can't do, so you don't have to worry about them
I come from a family of communist nudists. I was allowed to do or not do what I liked. My parents were not interested in whether I went to school or got drunk on white wine.
I am the best film director in the world.
I think working with actors is a little bit how a chef would work with a potato or a piece of meat. You have to kind of have a look at the potato or the piece of meat and see what kind of possibilities are in the ingredient. I know I'm using the wrong metaphor. I think my job is to see what potato is there and from there, just work under their conditions.
The secret ingredient to sex is love.
My films generally center around thousands of pictures being flashed in rapid succession to create the illusion of motion.
More than anything, there are more images in evil. Evil is based far more on the visual, whereas good has no good images at all.