Lauren Oliver

Lauren Oliver
Lauren Oliveris an American author of the New York Times bestselling YA novels Before I Fall, which was published in 2010; Panic; and the Delirium trilogy: Delirium, Pandemonium and Requiem, which have been translated into more than thirty languages. She is a 2012 E.B. White Read-Aloud Award nominee for her middle-grade novel Liesl & Po, as well as author of the fantasy middle-grade novel The Spindlers. Panic, which was published in March 2014, has been optioned by Universal Pictures in...
NationalityAmerican
ProfessionYoung Adult Author
Date of Birth8 November 1982
CityQueens, NY
CountryUnited States of America
The worst is knowing I can't tell anybody what's happening -or what's happened- to me. Not even my mom.
Maybe all of these different possibilities exist at the same time, like each moment we live has a thousand other moments layered underneath it that look different.
There's a place for everything and everyone, you know. That is the mistake they make above. They think that only certain people have a place. Only certain kinds of people belong. The rest is waste. But even waste must have a place. Otherwise it will clog and clot, and rot and fester.
Here's something else you might as well learn now: If you want something, if you take it for your own, you'll always be taking it from someone else. That's a rule too. And something must die so that others can live.
This is what hatred is. It will feed you and at the same time turn you to rot.
Maybe he sees it on my face, that fraction of a second when I let my guard down, because in that moment his expression softens and his eyes go bright as flame and even though I barely see him move, suddenly he has closed the space between us and he’s wrapping his warm hands over my shoulders—fingers so warm and strong I almost cry out—and saying, “Lena. I like you, okay? That’s it. That’s all. I like you.” His voice is so low and hypnotic it reminds me of a song. I think of predators dropping silently from trees: I think of enormous cats with glowing amber eyes, just like his.
I’m Hana,” Hana says. “And this is Lena.” She jabs me with an elbow. I know I must look like a fish, standing there with my mouth gaping open, but I’m too outraged to speak. He’s lying. I know he’s the one I saw yesterday, would bet my life on it. “Alex. Nice to meet you.” Alex keeps his eyes on me as he and Hana shake hands. Then he extends a hand to me. “Lena,” he says thoughtfully. “I’ve never heard that name before.
There is only what you want and what happens. There is only grabbing on and holding tight in the darkness.
I'm mesmerized by the way his fingers move confidently along her skin, as though her body is his to reat and touch and tend to. She was mine before she was yours: The words are there, unexpectedly, surging from my throat to my tongue. I swallow them back.
I'm overwhelmed with sadness for everything that was lost, and filled with anger toward the people who took it away. My people-or at least, my old people. I don't know who I am anymore, or where I belong. That's not totally true...I know I belong with Alex.
But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them―the best ones―are doors.
The priests and the scientists are right about one thing: At our heart, at our base, we are no better than animals.
My heart is fluid and soaring. There's no longer any space between heartbeats.
Everything looks stark and vivid and frozen, as though drawn precisely and outlined in ink - parents' smiles frozen, camera flashes blinding, mouths open and white teeth glinstening, dark glossy hair and deep blue sky and unrelenting light, everyone drowning in light - everything so clear and perfect I'm sure it must already be a memory, or a dream.