Leo Kottke
Leo Kottke
Leo Kottkeis an acoustic guitarist. He is known for a fingerpicking style that draws on blues, jazz, and folk music, and for syncopated, polyphonic melodies. He overcame a series of personal obstacles, including partial loss of hearing and a nearly career-ending bout with tendon damage in his right hand to emerge as a widely recognized master of his instrument. He currently resides in the Minneapolis area with his family...
NationalityAmerican
ProfessionGuitarist
Date of Birth11 September 1945
CityAthens, GA
CountryUnited States of America
I'm not subject to their rise and fall because I'm not accepted by them, so I have my own little curve going on. A lot of it is because of how much I play, I think I connect like when all you had was Vaudeville, I think I have an audience by performing a lot!
I will literally open my mouth not knowing what is coming out.
I seem to find different material every four to six months and I frequently forget it which is a shame because it would be nice to have a bigger library.
All bad jazz sounds like Woody Woodpecker.
I was taking a nose dive somewhere between eleven and twelve because my sister had died and I was practicing something that siblings do which is follow in their footsteps and die as well.
We really don't talk much about how this is or why it works for us. We'll just start playing. ... It's more like a dream that's coming forward.
It was almost two years after I left Capital that I put out the first one on Chrysalis and that was really instructive because it was no better in particular than any other record I'd done.
Yeah, the first thing that comes to mind is not to try too hard.
I was two and a half and my folks would put it on the record player and I would run around the house screaming, but I haven't been that hip since.
We spent a lot of time on that record with the sound and recorded it on the Paramount sound stage which is this huge room where the sound is reflected but the reflection is so late and comes from so far away that it doesn't blur the music but gives you a room nonetheless.
It was a kind of paralysis you would get from tendonitis and I would last about five to ten minutes into the set and it would set in and I really couldn't play.
Yes and for two reasons: one, I couldn't find anything to imitate at the time, and secondly because what I heard on the radio didn't bear any resemblance to what I wanted to hear on the guitar.
There are nights when you can feel stale because you've fallen into a pattern by touring too much, but it's easy to get out of it by deliberately getting in trouble and playing yourself into a corner to then see if you can get out of it.