Leos Carax
![Leos Carax](/assets/img/authors/leos-carax.jpg)
Leos Carax
Alex Christophe Dupont, best known as Leos Carax, is a French film director, critic, and writer. Carax is noted for his poetic style and his tortured depictions of love. His first major work was Boy Meets Girl, and his notable works include Les Amants du Pont-Neufand Holy Motors. His professional name is an anagram of his real name, 'Alex', and 'Oscar'...
NationalityFrench
ProfessionDirector
Date of Birth22 November 1960
CitySuresnes, France
CountryFrance
I mostly don't submit to talking about my work because I would like another talk about real life.
I'm not especially interested in actors or their life, double, triple identities and all that.
I've always been interested in invisible worlds, and I like to visit digital worlds, you know, any world that's imposed on us.
When I was 16, I felt very relieved to discover cinema. It was like an island where I could see life and death from another perspective. Every young person should be interested in that island. It's a beautiful place.
There's a real cowardice in the movie business. If you don't meet the right crazy people, you can't do it.
I travel, I read, I write, I have other lives. But when I have a camera, I know that's my country, my island.
When I made my first film, I had hardly ever seen a camera before, and I was a young man when I arrived in Paris from the suburbs. At the time, I didn't talk much. I was very shy, so the bluff served me. I was telling people that I had no money, and that I knew how to make films, but I had no proof.
I don't think men were meant to be interviewed.
I like tragedies, whether they're sci-fi or something else, but I can't say I know much about any genre in particular.
I changed my name when I was 13. I don't know why but it made sense at the time. I wanted another identity. I wanted to reinvent myself.
I'm not against the virtual world; it's fascinating, but I don't like the way they try to impose it on us. It's a thing imposed by rich countries.
Video is freeing, but also lazier. You have to recreate the love of the moment.
Even a fiction film is hard to end. You can going on shooting and editing a documentary forever.