Lizzy Caplan
Lizzy Caplan
Elizabeth Anne "Lizzy" Caplanis an American actress. After making her screen debut in 2002, Caplan started to get wider attention for her roles in films Mean Girlsand Cloverfieldfor which she was nominated for Saturn Award for Best Supporting Actress. Caplan also starred in television shows The Class, True Blood, and Party Down. She stars in Showtime series Masters of Sex, for which she was nominated for the Primetime Emmy Award, Satellite Award and Critics’ Choice Television Award, all for Outstanding...
NationalityAmerican
ProfessionMovie Actress
Date of Birth30 June 1982
CityLos Angeles, CA
CountryUnited States of America
You'd be surprised. Girls like sensitive, namby-pamby guys.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
There's definitely a luxury to the fluidity of not being a mega-star. I've done a ton of really, really odd, off-the-wall movies. There's this movie I did called 'Queens of Country' a couple of summers ago that is so bananas, and if I was at a certain level, I probably would not have done that movie.
I'm also 31 years old. It's not like I'm some kid who can be slapped across the newspaper pages like some harlot.
On True Blood -- I've never told anybody this -- but I was so nervous and then I was so drunk that after I shot the scene I was going up to the crew members -- I had just met all these people the day before -- and I was going up to all of them like, 'You got a boner! You do! You've got one!' It was horrible.
I never get recognized for 'Mean Girls.' I can be walking around with Daniel Franzese, who's in the movie and a friend of mine, and people will come up to him and start freaking out and have no idea who I am.
It took me a long time to realize that being a girl is so much more powerful than being a guy, but I really saw myself as boy for a long while.
I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.
I try to bring elements of my own personality to every character I've played, but I think I'm pretty similar to the character I'm playing now. The biggest departure would have to have been Freaks and Geeks Sara, who was this sort of subordinate and shy girl.
I don't think you should be allowed to eat in a restaurant if you haven't waited tables at least once. It's so irritating when I see people being rude to waiters, like, it makes me want to slit their throats! Like, really? You're really this inconsiderate?
If I had a glass eye, I'd always do that-pop it out and put it in my mouth. Throw it at people. Why not?
I do think, oddly, that a comedic actor has a better chance of pulling off a dramatic role than a great dramatic actor has of being able to pull off a highly comedic role.
It's scary to sign a six-year contract for something that you don't necessarily know about. And yet I did that most every year. I've done a lot of failed pilots.
If you're raised in a household where questions are encouraged, you're the minority. It's sad. One of the things that has resonated the most for me is that, in the '50s, if your sex life was unfulfilling, it was your fault, as a woman. It was never the man's fault. Millions of women thought they were working with faulty equipment. If they couldn't have orgasms from having sex with their husbands, then they were broken. That's insane, and everybody believed it.