Luc Besson

Luc Besson
Luc Bessonis a French film director, screenwriter, and producer. He directed or produced the films Subway, The Big Blue, and Nikita, all using a distinctive style dubbed Cinéma du look by critics. Besson has been nominated for a César Award for Best Director and Best Picture for his films Léon: The Professional and The Messenger: The Story of Joan of Arc. He won Best Director and Best French Director for his sci-fi action film The Fifth Element. He wrote and...
NationalityFrench
ProfessionDirector
Date of Birth18 March 1959
CityParis, France
CountryFrance
So we had like five screens and people loved it and sent their friends and then the Japanese called and said: ""We want the long version, please.
I'm still wet... no, no... I want to produce. I produce about three or four films a year.
The famous line about the French king was that he didn't even know what was going on. He said: "Is it a revolt?" And the other guy said: "No, it's a revolution." The king was thinking it was nothing.
I think that I am a collaborative fascist. With Natalie it was different, she was only 11-years-old and Leon was her first film. And it's about a young girl who takes guns and shoots everywhere, so her parents were very scared, they didn't know me very well.
I love that because I work one hour per day. And I see the director at the end of the day and I just say: "Oh yes, change this, and that's good, fine... " It's great, I love that.
The Messenger: The Story of Joan of Arc
It's always the small people who change things. It's never the politicians or the big guys. I mean, who pulled down the Berlin wall? It was all the people in the streets. The specialists didn't have a clue the day before.
Cinema never saved anyone's life, it is not a medicine that will save anyone's life. It is only an aspirin.
I don't want to show kids that I am smoking.
When I got the camera on the shoulder, they give me a nickname. They call me 'the tripod' because I'm kind of short and kind of strong. So if I take the camera and I lock myself, you think that you're on a crane.
You know sometimes you're in a position of risk and you feel that you can turn good or bad.
I wanted to do something that was entertaining - but with a catch.
I won't be able to do a film just for bad reasons, for money or for - I just can't. If I have one more where I feel I can bring you something, I will do it.
I would rather stop too soon than too late.