Lucian Freud
Lucian Freud
Lucian Michael Freud OM CH was a British painter. Known chiefly for his thickly impastoed portrait and figure paintings, he was widely considered the pre-eminent British artist of his time. His works are noted for their psychological penetration and their often discomforting examination of the relationship between artist and model...
NationalityBritish
ProfessionPainter
Date of Birth8 December 1922
CityBerlin, Germany
atmosphere feeling painting perception register wishes
It is through observation and perception of atmosphere that he can register the feeling that he wishes his painting to give out.
giving feelings may
The painter must give a completely free rein to any feeling or sensations he may have and reject nothing to which he is naturally drawn.
real views feelings
The painter makes real to others his innermost feelings about all that he cares for. A secret becomes known to everyone who views the picture through the intensity with which it is felt.
artist giving feelings
It is through observation and perception of atmosphere that he [the artist] can register the feeling that he wishes his painting to give out.
feels model painted painter preserving thinks took
The picture is all he feels about it, all he thinks worth preserving of it, all he invests it with. If all the qualities which a painter took from the model for his picture were really taken, no person could be painted twice.
entirely whether
Whether it will convince or not, depends entirely on what it is in itself, what is there to be seen.
people spite
I paint people not because of what they are like, not exactly in spite of what they are like, but how they happen to be.
element fact merely revelation strike truth
There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
accurate copies faithfully hung model next since whether
Since the model he so faithfully copies is not going to be hung up next to the picture... it is of no interest whether it is an accurate copy of the model.
drama people creative
I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.
taken quality painter
If all the qualities which a painter took from the model for his picture were really taken, no person could be painted twice.
miracle looks attention
The paintings live because their creator has been passionately attentive to their theme, and his attention has left something for us to look at. It seems a sort of miracle.
artist next interest
And, since the model he faithfully copies is not going to be hung up next to the picture, since the picture is going to be there on its own, it is of no interest whether it is an accurate copy of the model.
routine timetables
I have a timetable, but no routine.