Lupe Fiasco
Lupe Fiasco
Wasalu Muhammad Jaco, better known by his stage name Lupe Fiasco, is an American rapper, record producer, and entrepreneur. He rose to fame in 2006 following the success of his debut album, Lupe Fiasco's Food & Liquor. He also performs as the frontman of rock band Japanese Cartoon under his real name. As an entrepreneur, Fiasco is the chief executive officer of 1st & 15th Entertainment...
NationalityAmerican
ProfessionRapper
Date of Birth16 February 1982
CityChicago, IL
CountryUnited States of America
360 deals are the new things of the industry. It's not about selling records; it's about selling T-shirts, getting a piece of your publishing, getting a piece of your touring, and all these other kind of properties.
In my fight against terrorism, to me, the biggest terrorist is Obama in the United States of America. For me, I'm trying to fight the terrorism that's actually causing the other forms of terrorism. The root cause of the terrorism is the stuff that you as a government allow to happen and the foreign policies that we have in place in different countries that inspire people to become terrorists. And it's easy for us because it's really just some oil, which we can really get on our own.
Before my father would open up a karate school in a particular neighborhood, he'd clean up the block - kick all the drug dealers and gang bangers off the block. My father was very clear: 'I've got guns too, and I'll kill you just as much as a rival gang would.' And he meant it. He was a man of many facets and complexities.
That should be the measure of success for everyone. It's not money, it's not fame, it's not celebrity; my index of success is happiness.
The biggest terrorist is Obama.
The point of Islam is to promote peace.
In my fight against terrorism, to me, the biggest terrorist is Obama, and the United States of America.
I don't like to degrade women, but I like pornography.
In Chicago, you have an absence of strong family units, and that absence gets filled by gangs. You have a failure in the school system, after-school programs and other social programs to help keep kids off the streets. Amnesty International speaks to that in some way, by keeping these issues in the forefront.
Chief Keef scares me. Not him specifically, but just the culture that he represents.
The story of 'Lasers' is my story. I didn't have to look too far to get subject matter for this record; it was stuff that was happening to me.
It definitely wasn't like, 'Hey, I'm going to steal that, and nobody's going to know.' The original 'T.R.O.Y.' came out in 1992, and it was like a 20th anniversary kind of thing. All of those intentions were there for it to be resurrecting a classic for a new generation. I tried to honor it.
I find it somewhat liberating to jump, to dive into things that are the opposite of me.
With Australian audiences, there's a certain level of education - as far as how much access and exposure they have to music from various genres. So when you do 'Big Day Out' and there are all these different musical acts, you see the same people in your crowd that were there for a completely different artist.