Malorie Blackman
Malorie Blackman
Malorie Blackman, OBE, is a British writer who held the position of Children's Laureate from 2013 to 2015. She primarily writes literature and television drama for children and young adults. She has used science fiction to explore social and ethical issues. Her critically and popularly acclaimed Noughts and Crosses series uses the setting of a fictional dystopia to explore racism...
NationalityBritish
ProfessionYoung Adult Author
Date of Birth8 February 1962
CityLondon, England
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I loved reading when I grew up but did feel totally invisible because I couldn't see myself and my life reflected in the books I was reading.
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I believe each individual can have a say and make a difference.
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What I wanted to do was use literature and different kinds of stories and poems as a springboard, tapping into the creativity of our teens - I wanted teenagers to come up with their own creative responses to literature - using books themselves as a starting point.
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I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
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I suppose I've always lived in my own head. I didn't discover boys till sixth form. Then suddenly it was, 'Oh! Boys!'
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Reading is an exercise in empathy; an exercise in walking in someone else's shoes for a while.
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I don't believe in regrets. There are a few things I'd do differently, but I can't go back in time and redo them, however much I might wish to. All I can do is learn from past mistakes and move forward.
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When I was a teenager, reading for me was as normal, as unremarkable as eating or breathing. Reading gave flight to my imagination and strengthened my understanding of the world, the society I lived in, and myself. More importantly, reading was fun, a way to live more than one life as I immersed myself in each good book I read.
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I started reading seriously at seven or eight, books about myths and legends, the Narnia series. By the time I was 11, I had read all the children's books in my local library, so I moved on to 'Jane Eyre.' What I loved about Jane Eyre was that she didn't rely on her looks but her character. She had a spirit nobody could break.
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The worst thing about being the laureate has been the attitude of a tiny minority of adults who haven't liked some of the things I'm supposed to have said and who have used it as an opportunity to be verbally abusive and nasty, but I haven't let it rule my world!
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Teenagers are some of the most passionate, dynamic and creative people I know. Yet, too often, this creative spark is left to flicker precariously and sometimes fade entirely.
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There is a saying: 'The child is parent to the adult', which means whatever happens to you as a child or teenager affects the adult you become. You are forged in your history. And fiction is an incredibly important force in shaping children, and that's why fiction needs to be diverse.
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Part of my job as Children's Laureate is to visit schools and talk about my love of books and stories and encourage them all to do it as well - to read, to write, to never be afraid of their own voice. Because we all have something to say.
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We need more people working in the publishing industry itself who are people of colour.