Mark Billingham
Mark Billingham
Mark Philip David Billingham is an English novelist whose series of "Tom Thorne" crime novels are best-sellers in that particular genre. He is also a television screenwriter and has become a familiar face as an actor and comic...
NationalityEnglish
ProfessionNovelist
Date of Birth2 July 1961
time
I've never read an ebook. Print every time.
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I've often said the reader knows every bit as much about Thorne as I do. When I created him for 'Sleepyhead,' I was determined he should be a character who would develop, book by book, change and grow as we all do, and who - crucially - would be unpredictable.
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I've always slightly preferred Spade to Marlowe, probably just because I thought Hammett was cooler than Chandler. He was leftwing, his name shortened to Dash rather than Ray, and he didn't smoke a pipe or like cats.
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As a writer, you're making a pact with the reader; you're saying, 'Look, I know and you know that if this book was really a murder investigation, it would be a thousand pages long and would be very dull, and you would be very unhappy with the ending.'
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A reader's own imagination is a far more powerful form of CGI than anything any movie can provide because it's unique. In your own imagination, you can enter all sorts of worlds, and they are unique to you because no other reader will interpret a book the same way.
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As crime writers, we put these characters, year after year, book after book, through the most horrendous trauma, dealing with grief and death and loss and violence. We can't pretend that these things don't affect these characters; they have to. If they don't, then you're essentially writing cartoons.
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The fact is that most crime novels contain a good many punchlines. They are just rather darker than the ones you might hear in a comedy club.
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The problem with being a writer is that some readers tend to think that anything that comes out of a character's mouth is you talking.
I was never a fan of cozy mysteries of anything set in the countryside, you know.
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In the 1970s, there was a trend for all detectives on TV to have some quirk or gimmick, and this was often physical.
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I moved from acting to stand-up because castings are just about what you look like. It doesn't matter if you can act or not. In comedy, no one cares what you look like.
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I read 'Jaws' and 'The Godfather' back to back one summer when I was 14 and was suddenly aware of how powerful fiction could be.
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In America, they have specialist mystery book stores with whole sections devoted to cat mysteries, golf mysteries, quilting mysteries. It's a hugely broad genre from the darkest noir to tales of a 19th-century vet who solves crimes, thanks to his talking cat.
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I'm completely absorbed by Peter Guralnick's definitive, two-part biography of Elvis Presley: 'Last Train To Memphis' and 'Careless Love.' Meticulously researched, this is a compelling mix of history, myth-busting, and, of course, some timeless music.