Mark Helprin
Mark Helprin
Mark Helprinis an American novelist, journalist, conservative commentator, Senior Fellow of the Claremont Institute for the Study of Statesmanship and Political Philosophy, Fellow of the American Academy in Rome, and Member of the Council on Foreign Relations. While Helprin's fictional works straddle a number of disparate genres and styles, he has stated that he "belongs to no literary school, movement, tendency, or trend"...
NationalityAmerican
ProfessionNovelist
Date of Birth28 June 1947
CountryUnited States of America
The thing that strikes you most about being a soldier in a war zone and in action to the small extent that I was, when actually people start shooting, which happened to me a couple of times, everything goes on automatic and there's a feeling of tremendous elevation and even elation.
I was raised on the Hudson, in a house that had been the stable of the financier and Civil War general Brayton Ives. In midcentury, we had fire pits in the floor for heating, and rats everywhere, because they nested in the hay insulation.
The arts community is generally dominated by liberals because if you are concerned mainly with painting or sculpture, you don't have time to study how the world works. And if you have no understanding of economics, strategy, history and politics, then naturally you would be a liberal.
In American military cemeteries all over the world, seemingly endless rows of whitened grave markers stand largely unvisited and in silence. The gardeners tend the lawns, one section at a time. Even at the famous sites, tourism is inconstant.
If it wasn't for music, I would think that love is mortal.
Barnes & Noble is able to publish price-reduced non-copyrighted works not so much because it saves the 10 percent to 15 percent of revenue that would go to the gruel-eating authors, but because it saves the 50 percent that would go to the publishers.
I have jumped out of airplanes but I was not technically a paratrooper. I was an infantryman and a night fighter, anti-terrorist.
I don't aspire at present to be king of the hill in American literature.
When I was very young, I used to clean up after my parents. If I stay in a hotel, I make the bed and clean the room when I get up, even the bathroom mirror, for which I carry a tiny bottle of ammonia.
I used to write exclusively with one particular Montblanc fountain pen, although lately I have had to use a roller-tip fountain pen, because I find it harder and harder to control the fine muscles of my right hand during prolonged periods of work. I buy boxes of Deluxe Uni-ball pens, use them until they start to drag, and then change.
And there was no reason for them to be dancing the Peter Lake could see, except that it was an exceptionally beautiful night.
In the Freudian age, parents say to their children, 'Don't be defensive,' meaning, 'You have no argument,' but I was born in the age of Rommel, when defense was considered an honorable thing.
In an interview, I lose control even of what I am, for it is the interviewer who edits me, finally, into what he thinks I am, and never have I been happy with someone else's version of my life after that person has spent an entire two or three hours fathoming it.
If Shakespeare thought comedy worthwhile, that means the rest of us can take a break from tragedy now and then without betraying our calling, even if the modern professional intellectual, a poseur by nature, has yet to discover this.