Mark Helprin
Mark Helprin
Mark Helprinis an American novelist, journalist, conservative commentator, Senior Fellow of the Claremont Institute for the Study of Statesmanship and Political Philosophy, Fellow of the American Academy in Rome, and Member of the Council on Foreign Relations. While Helprin's fictional works straddle a number of disparate genres and styles, he has stated that he "belongs to no literary school, movement, tendency, or trend"...
NationalityAmerican
ProfessionNovelist
Date of Birth28 June 1947
CountryUnited States of America
art love
As much as I love art, there is no art as fine as the world we have been given.
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To assert, as some have, that illegal immigrants do not depress wages because they do the jobs Americans refuse is the kind of nonsense economists speak when they strain to be counterintuitive. It is similar to saying that cheap imports do not hold down prices.
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My father was famous for his photographic memory. He was in the OSS. They trained him to be captured on purpose and to read upside down and backwards and commit to memory every document in Germany he saw as he was being interrogated - every schedule on every wall. So, that photographic memory somehow made its way to me when I was young.
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The British monarchy has the political and constitutional task of subtracting from the government and governors of Britain the papal and kingly airs that in America, because we have no such institution, unfortunately adhere to the president.
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Reason is a fine thing, but it is not the only thing available to a writer. It's just part of the arsenal of many things available to a storyteller. Revelation, for example.
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If one accepts Hezbollah's self-description as a resistance movement, in which case one must, in light of the fact that Hezbollah never ceases to provoke, view Israel's mere existence as a continuing act of aggression, then Hezbollah has indeed shown that it can initiate conflict, resist, and survive.
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One of the things I worked very hard on all my life was to be like everyone else. I tried very hard to fit in.
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When people ask me why is 'Winter's Tale' a fantasy, I point out that it is not a fantasy.
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The craftless anarchy of the Beat poets on the one hand, and the extreme control of Henry James on the other, suggest that for most human beings, just as both freedom and discipline are necessary in life, serendipity and design must coexist in a work to make it readable.
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No good case exists for the inequality of real and intellectual property, because no good case can exist for treating with special disfavor the work of the spirit and the mind.
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Of course, everyone in the New World is an immigrant or a descendant of immigrants, and immigrants have built America and continue to do so. Legal or illegal, they are almost universally good people who work to better their lot and that of their children.
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The thing that strikes you most about being a soldier in a war zone and in action to the small extent that I was, when actually people start shooting, which happened to me a couple of times, everything goes on automatic and there's a feeling of tremendous elevation and even elation.
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I was raised on the Hudson, in a house that had been the stable of the financier and Civil War general Brayton Ives. In midcentury, we had fire pits in the floor for heating, and rats everywhere, because they nested in the hay insulation.
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The arts community is generally dominated by liberals because if you are concerned mainly with painting or sculpture, you don't have time to study how the world works. And if you have no understanding of economics, strategy, history and politics, then naturally you would be a liberal.