Mark Rydell
Mark Rydell
Mark Rydellis an American actor, film director and producer. He has directed many Academy Award-nominated films including The Fox, The Reivers, Cinderella Liberty, The Rose, The Riverand For the Boys. He was nominated for an Academy Award for Best Director for On Golden Pond...
NationalityAmerican
ProfessionDirector
Date of Birth23 March 1934
CountryUnited States of America
directors admire maverick
Yes, there are directors I admire, the mavericks. Altman. There are many good directors.
technology aggravation industrialization
There's evidence of a social decline in direct proportion to technology and the industrialization of the motion picture industry.
interesting actors agents
It's kind of interesting to be a director who is all of a sudden being an actor playing an agent. This is my whole world!
fun ideas needs
It perhaps has a chance, a commercial chance, this film. It's funny, it's charming, the idea is original, it's unusual and it makes fun of the movie industry in a way that it needs to be poked fun at.
careers important genius
No one turns down a film with Woody; it's something everyone wants in their career as an important moment. He's such a comedic genius, without question, so I was thrilled.
independent talking years
There are always at least five good films at the end of the year to get nominated, but generally speaking nowadays, it's more of the independent films that are recognized.
agents als knows
I don't know a lot of agents like Al Hack.
independent substance today
It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.
art drama lying
The picture is not a documentary, ... It's a drama that has to be crafted. Reality is not art. You have to make choices when you're trying to make something work. And the choices we make I think are accurate. There aren't any lies in it. There are assumpt
weekend long competition
I long for the days when grosses were not even known. There was no weekend competition.
conscience
For 30 years he was the conscience of Hollywood,
american-director capable hollywood identify leading men struggles unusual
It's the unusual leading man. Most of the Hollywood leading men are powerful and capable and strong, heroes. He has this vulnerability, he's fragile, he struggles to find a way to live from day to day that we can identify with, that we can understand.
american-director argue directors films hard kinds sad
It's sad - it's sad for us old enough to remember when directors ruled, and films were substantially better than they are today. But it's hard to argue with those kinds of grosses.
act alive american-director convincing early good picture places though
He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture.