Martin Amis
Martin Amis
Martin Louis Amisis a British novelist. His best-known novels are Moneyand London Fields. He has received the James Tait Black Memorial Prize for his memoir Experience and has been listed for the Booker Prize twice to date. Amis served as the Professor of Creative Writing at the Centre for New Writing at the University of Manchester until 2011. In 2008, The Times named him one of the 50 greatest British writers since 1945...
NationalityBritish
ProfessionNovelist
Date of Birth25 August 1949
dream sleep night
Cities at night, I feel, contain men who cry in their sleep and then say Nothing. It's nothing. Just sad dreams. Or something like that...Swing low in your weep ship, with your tear scans and sob probes, and you would mark them. Women--and they can be wives, lovers, gaunt muses, fat nurses, obsessions, devourers, exes, nemeses--will wake and turn to these men and ask, with female need-to-know, "What is it?" And the men will say, "Nothing. No it isn't anything really. Just sad dreams.
fiction principles pleasure
I'm not interested in making a diagnostic novel or a concern. I'm 100 percent committed in fiction to the pleasure principle - that's what fiction is, and should be.
genre-is long people
Dickens is a much misunderstood and mis-approached writer, in that he tends to be read, particularly in the twentieth century, as a social commentator - like the great Victorians, a realist in his way. But he isn't at all like that. His genre is actually more like a fairy tale - weird transformations, long voyages from which people come back altered, parental mysteries, semi-magical twists.
envy balls moral
Envy never comes to the ball dressed as envy; it comes dressed as high moral standards or distaste for materialism.
light-years inches human-life
The universe is a million billion light-years wide, and every inch of it would kill you if you went there. This is the position of the universe with regards to human life.
shopping family-and-friends doe
Language leads a double life - and so does the novelist. You chat with family and friends, you attend to your correspondence, you consult menus and shopping lists, you observe road signs, and so on. Then you enter your study, where language exists in quite another form - as the stuff of patterned artifice.
twists looks fluidity
The trouble with life is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it’s always the same beginning, and the same ending.
fiction technique crank
I would say I'm an ironist not a satirist. All you do is you take existing tendencies and crank them up, just turn up the volume dial. Which is a technique of science fiction, apart from anything else.
smoking cigarette
Unless I specifically inform you otherwise, I'm always smoking another cigarette.
priorities nuclear target
What is the only provocation that could bring about the use of nuclear weapons? Nuclear weapons. What is the priority target for nuclear weapons? Nuclear weapons. What is the only established defense against nuclear weapons? Nuclear weapons. How do we prevent the use of nuclear weapons? By threatening the use of nuclear weapons. And we can't get rid of nuclear weapons, because of nuclear weapons. The intransigence, it seems, is a function of the weapons themselves.
principles kind pleasure
When I talk about the pleasure principle, I don't say there is only one kind of pleasure, there are many kinds of pleasure. Some pleasure is difficult. It should be for the reader as well as the writer. But it has to be pleasure.
typewriters new-life acquire
When success happens to an English writer, he acquires a new typewriter. When success happens to an American writer, he acquires a new life.
might
Love might have expanded her. But we are not all of us going to get loved. We are not all of us going to get expanded.