Matt Bomer
Matt Bomer
Matthew Staton "Matt" Bomeris an American actor. He made his television debut with Guiding Light in 2001, and gained recognition with his recurring role in the NBC television series Chuck. He played the lead role of a con-artist in the USA Network series White Collar from 2009 to 2014. Bomer won a Golden Globe Award and received a Primetime Emmy Award nomination for his supporting role as Felix Turner, opposite Mark Ruffalo, in the HBO television film The Normal Heart...
NationalityAmerican
ProfessionTV Actor
Date of Birth11 October 1977
CityWebster Groves, TX
CountryUnited States of America
Billy [Ray] is a preternatural enthusiast. He would say things to me like, "Now, let me tell you about Episode 3." I'm a big superstitious, having done television for quite some time, and I would say, "Billy, I can't wait to hear about it, but let's just stay here for right now, see what happens, and enjoy this moment.
To me, when you're at a hotel and your home environment is ultimately dictated by somebody else, I always find that a little bit oppressive and scary in a way.
I lived in several hotels, yeah. You have to try to make it home.
I think your text [script] is everything; it's what informs you; it's what gives you the given circumstances. Then you take that and you add your own creativity and your own spin on things and you make it personal. That's what makes that character and that text unique to you, when you personalize it. I think that's where your job as an actor comes in.
Having done television for almost 20 years now, a pilot is kind of like a rough draft. It's like bringing people into your ultrasound and hooking up to the monitor and going, "Isn't my baby beautiful?" "Yeah. I can only see the outline of it, but it looks like it might be."
Certainly when you're dealing with more deep emotional work and sensory work, for me it helps me to just stay in it.
Forget horror icon, Kety Bates is an icon. She's an acting icon. I was raised on so many of her films, everything from Misery to Fried Green Tomatoes to Delores Claiborne, all films that I've watched multiple times and been inspired by.
I look at a pilot and go, "I see the landscape. I see the characters. I see the direction and the potential of the story." And I also go, "That didn't work. I could change that. Maybe that works. I don't know. We'll see." For me, I look at it, as an actor, as what can I improve upon? So, to have it out there and judged solely on its own merit is really a unique experience for me.
For me, a lot of these actors are new. For me, I only worked with Finn [Whittrock] and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
In that Freak Show environment, I got to spend time with so many of the actors who were part of that world. I just had the best time ever.
I've never cared about how successful or how big I was going to be. I just wanted to be part of a story that affected people, made them laugh or cry. To me, that was more important than having my face on some billboard.
When you really put your heart and soul into something, the temptation is to try to be in control of circumstances, however you can, and looking and seeing how people are responding.
I like not to know, unless it's something that I need to know, specifically, for how I color a performance.
It's so rare, especially as a younger actor, to find a role where it's not just one-dimensional and it's not just a stock leading man.