Maurice Sendak

Maurice Sendak
Maurice Bernard Sendakwas an American illustrator and writer of children's books. He became widely known for his book Where the Wild Things Are, first published in 1963. Born to Jewish-Polish parents, his childhood was affected by the death of many of his family members during the Holocaust. Besides Where the Wild Things Are, Sendak also wrote works such as In the Night Kitchen, Outside Over There, and illustrated many works by other authors including the Little Bear books by Else...
NationalityAmerican
ProfessionChildren's Author
Date of Birth10 June 1928
CityBrooklyn, NY
CountryUnited States of America
I'm not jaded. I never have been jaded. I've always been surprised at my success. I've always enjoyed it.
Grown-ups desperately need to feel safe, and then they project onto the kids. But what none of us seem to realize is how smart kids are. They don’t like what we write for them, what we dish up for them, because it’s vapid, so they’ll go for the hard words, they’ll go for the hard concepts, they’ll go for the stuff where they can learn something. Not didactic things, but passionate things.
As a kid, all I thought about was death. But you can't tell your parents that.
I had a brother who was my savior, made my childhood bearable.
I know that if there’s a purpose for life, it was for me to hear Mozart.
Herman Melville said that artists have to take a dive and either you hit your head on a rock and you split your skull and you die … or that blow to the head is so inspiring that you come back and do the best work that you ever did. BUT you have to take the dive and you do not know what the results will be.
The day after Paul Newman was dead, he was twice as dead.
I grew up in a house that was in a constant state of mourning.
It's no fun being lonely.
I don't believe in an afterlife but I still fully expect to see my brother again.
Childhood is cannibals and psychotics vomiting in your mouth!
Kids never get pissed at their parents. Unheard of.
I did not know how to paint a mural. I did not know how to prepare the surface. There was nobody from the Renaissance around who could advise me, and I did the best I could.
When I did 'Bumble-ardy,' I was so intensely aware of death. Eugene, my friend and partner, was dying here in the house when I did 'Bumble-ardy'. I did 'Bumble-ardy' to save myself. I did not want to die with him. I wanted to live, as any human being does.