Mel Brooks
Mel Brooks
Melvin James Brooksis an American actor, comedian, filmmaker, composer, songwriter and veteran. He is known as a creator of broad film farces and comic parodies. Brooks began his career as a comic and a writer for the early TV variety show Your Show of Shows. He became well known as part of the comedy duo with Carl Reiner in the comedy skit, The 2000 Year Old Man. He also created, with Buck Henry, the hit television comedy series, Get Smart,...
NationalityAmerican
ProfessionDirector
Date of Birth28 June 1926
CityNew York City, NY
CountryUnited States of America
I know how to make it a great musical. I've got to. It's like I've got to see it on stage.
We want to get people laughing; we don't want to offend anybody.
I've been taught ever since I was a kid that sex is filthy and forbidden, and that's the way I think it should be. The filthier and more forbidden it is, the more exciting it is.
Never retire! Do what you do and keep doing it. But don't do it on Friday. Take Friday off. Friday, Saturday, and Sunday, go fishing...Then Monday to Thursday, do what you've been doing all your life. My point is: Live full and don't retreat.
Immortality is a by-product of good work. Masterpieces are not for artists, they're for critics. Critics can't even make music by rubbing their back legs together. My message to the world is 'Let's swing, sing, shout, make noise! Let's not mimic death before our time comes! Let's be wet and noisy!'
Organizations like the CIA and the FBI are still kind of supermen, kind of SS troops: We're blond and the best and everyone else should be incinerated. They don't know right from wrong. That's what makes a satire of these government bureaus really funny.
When I was a little kid at home, I thought the whole world was Jewish. For years I thought Roosevelt was Jewish. I loved him. I thought of him as my father. I'm always stunned when I find out that people like Roosevelt and Tolstoy weren't Jewish. How could I love them so much?
I started with [Leo] Tolstoy and I was overwhelmed. Tolstoy writes like an ocean, in huge, rolling waves, and it doesn't look like it was processed through his thinking. It feels very natural. You don't question whether Tolstoy's right or wrong. His philosophy is housed in interrelating characters, so it's not up for grabs.
Comedy is serious - deadly serious. Never, never try to be funny! The actors must be serious. Only the situation must be absurd. Funny is in the writing, not in the performing. If the situation isn't absurd, no amount of joke will help.
Woody Allen is a genius. His films are wonderful. He's poetic, but he's also a critic. He artfully steps back from a social setting and criticizes it without - I suspect - without letting himself be vulnerable to it.
My liveliness is based on an incredible fear of death. In order to keep death at bay, I do a lot of "Yah! Yah! Yah!" And death says, "All right. He's too noisy and busy. I'll wait for someone who's sitting quietly, half asleep."
Any man's greatness is a tribute to the nobility of all mankind, so when we celebrate the genius of [Leo] Tolstoy, we say, "Look! One of our boys made it! Look what we're capable of!"
No creative writer knows what is commercial and what isn't. You just write from your heart, you write from the deepest, creative urges in you, and you write from your soul, and you just either get lucky or not.
My brothers went to work at 12 and put themselves through school and brought the family out of ruin into food and clothing.