Melissa Rosenberg
Melissa Rosenberg
Melissa Anne Rosenberg is an American screenwriter. She has worked in both film and television and has been nominated for two Emmy Awards, and two Writers Guild of America Awards. She won a Peabody Award. Since joining the Writers Guild of America, she has been involved in its Board of Directors and was a strike captain during the 2007–2008 Writers Guild of America strike. She supports female screenwriters through the WGA Diversity Committee and co-founded the League of Hollywood Women...
NationalityAmerican
ProfessionScreenwriter
Date of Birth28 August 1962
CityMarin County, CA
CountryUnited States of America
book bringing change great medium novels reactive time visual
Well, the medium of film is so different than a book that just by bringing it into visual storytelling is to change it up. I think in a book, in any book, you can have a reactive character. Some of the great novels of all time have had that, but in a film you can't do that.
book character mean
When I was developing the [Daredevil] idea, we were really doing something closer to what was in the comic book. By that, I mean in terms of civilians in the street knew that superpowers were an everyday matter of fact. When it finally ended up at Netflix, they really decided to land it in the Marvel Universe that exists in the cinematic universe. That changes the story entirely. It was no longer about the other, which is what that metaphor was. It's really more about the character herself, which I love.
book creating firsts
The Daredevil comic book was the first comic book Marvel had ever put out that was an adult R-rated book, so I started with that. When I was creating the series, I just started with that tone, and that edge, and it just kept going.
book thinking talking
What I really want to do is create great roles for women. And I'm not talking Nicholas Sparks romance. I think women's roles have gotten ghettoized in these sort of places... I'm thinking women in action, comic books, or like the Tony Soprano of women. We need some complex roles.
jobs husband book
The number of vacations me and my husband have canceled... if you really want a job, book a non-refundable vacation. But obviously we're blessed too.
five outline script slam strike taken weeks
That was, in writing the 'Twilight' script I had about five weeks to write that. I'd taken about a month to write the outline and then it was slam into a script and write it down fast because the writer's strike was looming.
brad engaging great industry money pitt sees voice writer
The film industry sees the writer as fungible: The thinking goes, As long as we have Brad Pitt and all this money, we have a great film! No, you need a writer with voice and an engaging story, or what you have is a bomb.
dancer happened nervous performance walked
I remember when I was a dancer and I had to do this performance and I was really nervous about it, and I happened at that moment to go see 'Flashdance.' I mean, it's silly, but I walked out of that movie going 'what a feeling!' I walked out with confidence.
almost constantly feature gone lull onto projects schedule tv writers
TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'
deal deliver fear great guarantee hire investing money pigeonhole somebody westerns written
Studios, because they are investing a great deal of money in movies, they want a guarantee that when they hire somebody that person can deliver for them. Everything is fear based, so they pigeonhole people. But I've written everything, from Westerns to sci-fi to dramedy, I've done it all.
course five lay novel spread thin writers
With 'Darkly Dreaming Dexter,' we as a group of writers had to take a rather thin novel and spread it out over the course of 12 episodes, and not only 12 episodes, but lay in story for everyone that's going to take you through five years.
basically chew hope human insight maybe positive sound
You don't know what someone's going to walk away from a movie with, but you hope it's something positive, but if nothing, you want them most basically to be entertained and engaged. That's your job. But you also hope to give them something to chew on or maybe some insight into the human existence, you hope a little bit. Not to sound too lofty.
becomes vacuum
In 'Twilight,' you're setting up the world. You're introducing the world, and I was also writing in a vacuum because I didn't know who the actors were going to be. Now you're going to 'New Moon' and 'Eclipse,' and I could write specifically to them in my mind. So it becomes a more comfortable world.
atmosphere certain cup desk hour regimen showing strict
I have a very strict regimen of showing up at my desk at a certain hour with my cup of green tea. It is very quiet. I don't like having a lot of atmosphere around.