Michael Azerrad
Michael Azerrad
Michael Azerrad is an American author, music journalist, editor, and musician. A graduate of Columbia University, he has written for publications such as Spin, Rolling Stone, and The New York Times. Azerrad's 1993 biography Come as You Are: The Story of Nirvana was named by Q as one of the 50 greatest rock books ever written. His 2001 book Our Band Could Be Your Life, a collection of profiles on prominent indie rock bands, received similar critical acclaim...
NationalityAmerican
ProfessionAuthor
CountryUnited States of America
unique sprung-up voice
A lot of music fans are still interested in insightful perspectives on music - maybe even more interested than ever, since everyone needs help making sense of the incredible variety of sounds that have sprung up in the wake of the Internet revolution. There's a lot of room for unique, qualified voices who can provide good reads.
facts glamour
There's no glamour in Nirvana, no glamour at all, in fact.
unique ethos people
People didn't get to see how other towns interpreted the underground ethos, and so they developed their own unique versions of it.
simple keys rocks
To begin with, the key principle of American indie rock wasn't a circumscribed musical style; it was the punk ethos of DIY, or do-it-yourself. The equation was simple: If punk was rebellious and DIY was rebellious, then doing it yourself was punk. 'Punk was about more than just starting a band,' former Minutemen bassist Mike Watt once said, 'it was about starting a label, it was about touring, it was about taking control. It was like songwriting; you just do it. You want a record, you pay the pressing plant. That's what it was all about.'
nice writing ideas
When you're writing, you're only a brain and some fingers, but drumming, you're involving all four limbs, and you're hearing stuff and you're converting your ideas into physical motions, getting physical feedback from things you are touching - it's pretty cool. It's a really a nice contrast to writing.
rocks years people
Critics and fans use the music of their youth as reference points. For years, people seriously wondered who "the next Beatles" were going to be, and classic rock bands were the de facto yardstick for rock quality.