Michael Bay
Michael Bay
Michael Benjamin Bay is an American filmmaker known for directing and producing big-budget action films characterized by fast cutting, stylistic visuals and extensive use of special effects, including frequent depiction of explosions. His films, which include Armageddon, Pearl Harborand the Transformers film series, have grossed over US$5 billion worldwide. He is co-founder of commercial production house The Institute, a.k.a. The Institute for the Development of Enhanced Perceptual Awareness. He is co-chair and part-owner of the digital effects house Digital Domain...
NationalityAmerican
ProfessionDirector
Date of Birth17 February 1965
CityLos Angeles, CA
CountryUnited States of America
I allow a lot of room for improvisation and funny stuff. I always feel planned.
There are things that I invented - the creaky geriatric robot that is always grumpy, for example, or the little wheelie guy, he's not in the Hasbro lore. But kids love that stuff - this little guy as a pet on a chain. They gravitate towards it.
I was talking to one of the writers about our target audience, and he was insulted that I used that term. But if you're given $60 million to make a film, you'd better know who your target audience is. That's who's going to pay back the bills you run up.
I'm one of the few directors that actually shoots a lot in camera.
Nobody in the world knew about Megan Fox until I found her and put her in 'Transformers.' I like to think that I've had some luck in building actors' careers with my films.
The press don't like to say nice things because nice is boring. It's much better to label me the devil. What we do is not brain surgery. We are entertainers, plain and simple, and we're responsible to bring that money back, to make a profit.
I'm done with effects movies for now. When you do a movie like 'Transformers,' it can feel like you're doing three movies at once - which is tiring.
I love doing big movies. It's awesome! You have all these toys. The thing I like about this movie is, like they always say, directors have the biggest train sets! Don't tell anyone, but I'd do this for free.
You'll hear people say now, 'Oh, I don't want to see something in 3-D. That's wrong, because what they've seen is 3-D done poorly.
There are many movies that have done it very badly. The studios have gone for quick profits and audiences are feeling angry. People aren't taking the time and spending the money to do it right. I am.
A lot of directors don't want the pressure of a movie the size of Pearl Harbor. But I love it. I thrive on it.
I go out there to win. People don't care if you die in this business. The only way I get back is with success.
For me, the great joy is to watch an audience watching what I've made. To hear not a peep from the audience at the right moment, and then to hear the laughs and the cheers.
It is really cool to have created a movie that has turned out to become the biggest movie of the year.