Michael Crichton
Michael Crichton
John Michael Crichtonwas an American best-selling author, physician, producer, director, and screenwriter, best known for his work in the science fiction, medical fiction and thriller genres. His books have sold over 200 million copies worldwide, and many have been adapted into films. In 1994, Crichton became the only creative artist ever to have works simultaneously charting at No. 1 in US television, film, and book sales...
NationalityAmerican
ProfessionNovelist
Date of Birth23 October 1942
CityChicago, IL
CountryUnited States of America
Without question, the notion of the doctor as a legitimate fee-for-service entrepreneur, making his fortune from misfortunes of his patients, is old-fashioned, distasteful, and doomed.
To give up responsibility for our lives is not healthy.
The romantic view of the natural world as a blissful Eden is only held by people who have no actual experience of nature. People who live in nature are not romantic about it at all. They may hold spiritual beliefs about the world around them, they may have a sense of the unity of nature or the aliveness of all things, but they still kill the animals and uproot the plants in order to eat, to live. If they don't, they will die.
The greatest scientists in history are great precisely because they broke with the consensus. There is no such thing as consensus science. If it's consensus, it isn't science. If it's science, it isn't consensus. Period.
The fact that the patients were complex human beings with a rich life beyond the hospital never really sank into the consciousness of the residents. Because they had no rich lives beyond the hospital, they assumed no one else did, either. In the end, what they lacked was not medical knowledge but ordinary life experience.
The best doctors found a middle position where they were neither overwhelmed by their feelings nor estranged from them. That was the most difficult position of all, and the precise balance - neither too detached nor too caring - was something few learned.
One of the most difficult things for a writer in this business to accept is the uncertain fate of one's work.
The rules of grammar exist in large part to permit readers and writers to operate from a shared set of expectations.
The people in Hollywood are fabulously stupid.
When I sit down in front of a Windows machine, I can't write; when I sit down in front of my Mac, I can write. So I only use Macs.
In any case, you read with exasperation or amusement the multiple errors in a story, and then turn the page to national or international affairs, and read as if the rest of the newspaper was somehow more accurate about Palestine than the baloney you just read. You turn the page, and forget what you know.
Face the facts, all these environmental organizations are thirty, forty, fifty years old. They have big buildings, big obligations, big staffs. They may trade on their youthful dreams, but the truth is, they're now part of the establishment. And the establishment works to preserve the status quo. It just does.
The experience of climbing Kilimanjaro affected me so powerfully that, for a long time afterward, if I caught myself saying, "I'm not a person who likes to do that activity, eat that food, listen to that music," I would automatically go out and do what I imagined I didn't like. Generally I found I was wrong about myself - I liked what I thought I wouldn't like. And even if I didn't like the particular experience, I learned I liked having new experiences.
Science can't tell you why anything happens.